Carlo Rimbotti (1518-1591) 1548 Francesco Salviati (Francesco de' Rossi) Salviati painted the Florentine medical doctor Carlo Rimbotti when both men belonged to the literary society, the Accademia Fiorentina. The vivid quality of psychological presence suggests that this was an informal portrait for a friend. The precise observationnote the moles on Rimbotti’s brow and foreheadis in contrast with the formality and artifice of Bronzino’s portrait that hangs nearby. There, the young man is psychologically distant and surrounded by objects that allude to his status and interests. Most contemporary portraits followed Bronzino’s lead. Salviati’s is a rare attempt to encourage the viewer to draw close to this remarkable sitter.. Carlo Rimbotti (1518-1591). Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). 1548. Oil on wood. Paintings

Brand: PL Photography Limited
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Carlo Rimbotti (1518-1591) 1548 Francesco Salviati (Francesco de' Rossi) Salviati painted the Florentine medical doctor Carlo Rimbotti when both men belonged to the literary society, the Accademia Fiorentina. The vivid quality of psychological presence suggests that this was an informal portrait for a friend. The precise observationnote the moles on Rimbotti’s brow and foreheadis in contrast with the formality and artifice of Bronzino’s portrait that hangs nearby. There, the young man is psychologically distant and surrounded by objects that allude to his status and interests. Most contemporary portraits followed Bronzino’s lead. Salviati’s is a rare attempt to encourage the viewer to draw close to this remarkable sitter.. Carlo Rimbotti (1518-1591). Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). 1548. Oil on wood. Paintings

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Carlo Rimbotti (1518-1591) 1548 Francesco Salviati (Francesco de' Rossi) Salviati painted the Florentine medical doctor Carlo Rimbotti when both men belonged to the literary society, the Accademia Fiorentina. The vivid quality of psychological presence suggests that this was an informal portrait for a friend. The precise observationnote the moles on Rimbotti’s brow and foreheadis in contrast with the formality and artifice of Bronzino’s portrait that hangs nearby. There, the young man is psychologically distant and surrounded by objects that allude to his status and interests. Most contemporary portraits followed Bronzino’s lead. Salviati’s is a rare attempt to encourage the viewer to draw close to this remarkable sitter.. Carlo Rimbotti (1518-1591). Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). 1548. Oil on wood. Paintings by Piemags/PL Photography Limited is available for licensing today.

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