Candlestick 1878 Tiffany & Co. These candlesticks exemplify the innovative designs and technical virtuosity that characterized Tiffany & Co.s work during the 1870s and 1880s. Exhibited at the 1878 Paris Exposition Universelle (Worlds Fair), the candlesticks evidence a sophisticated engagement with Islamic decorative vocabulary and design. Edward C. Moore, the director of Tiffanys silver division during most of the second half of the nineteenth century, was a passionate and discerning collector of metalwork, glass, ceramics, and textiles from the Islamic world. His collections informed his creative vision, and these candlesticks reflect the fresh and original ways in which he and his designers and craftsmen responded to these sources of inspiration. A surviving diary of one of Tiffanys leading designers, Charles Grosjean, documents the candlesticks as the first works he selected for inclusion in the firms display in Paris. Particularly striking and unusual for their use of iron, th

Candlestick 1878 Tiffany & Co. These candlesticks exemplify the innovative designs and technical virtuosity that characterized Tiffany & Co.s work during the 1870s and 1880s. Exhibited at the 1878 Paris Exposition Universelle (Worlds Fair), the candlesticks evidence a sophisticated engagement with Islamic decorative vocabulary and design. Edward C. Moore, the director of Tiffanys silver division during most of the second half of the nineteenth century, was a passionate and discerning collector of metalwork, glass, ceramics, and textiles from the Islamic world. His collections informed his creative vision, and these candlesticks reflect the fresh and original ways in which he and his designers and craftsmen responded to these sources of inspiration. A surviving diary of one of Tiffanys leading designers, Charles Grosjean, documents the candlesticks as the first works he selected for inclusion in the firms display in Paris. Particularly striking and unusual for their use of iron, th
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Candlestick 1878 Tiffany & Co. These candlesticks exemplify the innovative designs and technical virtuosity that characterized Tiffany & Co.s work during the 1870s and 1880s. Exhibited at the 1878 Paris Exposition Universelle (Worlds Fair), the candlesticks evidence a sophisticated engagement with Islamic decorative vocabulary and design. Edward C. Moore, the director of Tiffanys silver division during most of the second half of the nineteenth century, was a passionate and discerning collector of metalwork, glass, ceramics, and textiles from the Islamic world. His collections informed his creative vision, and these candlesticks reflect the fresh and original ways in which he and his designers and craftsmen responded to these sources of inspiration. A surviving diary of one of Tiffanys leading designers, Charles Grosjean, documents the candlesticks as the first works he selected for inclusion in the firms display in Paris. Particularly striking and unusual for their use of iron, th by Piemags/PL Photography Limited is available for licensing today.
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