Boys in a Dory 1873 Winslow Homer American This charming sheet dates from the first phase of Homer's professional work in watercolor. Having visited a landmark exhibition sponsored by the American Society of Painters in Water Colors in New York, Homer spent the summer of 1873 in Gloucester, Massachusetts, the picturesque fishing port on Cape Ann, north of Boston. There, he undertook a series of small-scale watercolors depicting boys and girls rowing dories, sitting on the wharves, involved in modest tasks, or playing on the beach. These delightful images of childhood pastimes echo in subject and handling his oils of the same period, including the Museum's much-appreciated "Snap the Whip" (1872; acc. no. 50.41). Homer's early watercolors are simple and direct, reflecting the innocent, idyllic nature of his subjects. They also reveal his cautious approach to the new medium, in that they feature washes of color carefully applied within pale pencil outlines and much opaque pigment. Nonethe

Boys in a Dory 1873 Winslow Homer American This charming sheet dates from the first phase of Homer's professional work in watercolor. Having visited a landmark exhibition sponsored by the American Society of Painters in Water Colors in New York, Homer spent the summer of 1873 in Gloucester, Massachusetts, the picturesque fishing port on Cape Ann, north of Boston. There, he undertook a series of small-scale watercolors depicting boys and girls rowing dories, sitting on the wharves, involved in modest tasks, or playing on the beach. These delightful images of childhood pastimes echo in subject and handling his oils of the same period, including the Museum's much-appreciated "Snap the Whip" (1872; acc. no. 50.41). Homer's early watercolors are simple and direct, reflecting the innocent, idyllic nature of his subjects. They also reveal his cautious approach to the new medium, in that they feature washes of color carefully applied within pale pencil outlines and much opaque pigment. Nonethe
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Boys in a Dory 1873 Winslow Homer American This charming sheet dates from the first phase of Homer's professional work in watercolor. Having visited a landmark exhibition sponsored by the American Society of Painters in Water Colors in New York, Homer spent the summer of 1873 in Gloucester, Massachusetts, the picturesque fishing port on Cape Ann, north of Boston. There, he undertook a series of small-scale watercolors depicting boys and girls rowing dories, sitting on the wharves, involved in modest tasks, or playing on the beach. These delightful images of childhood pastimes echo in subject and handling his oils of the same period, including the Museum's much-appreciated "Snap the Whip" (1872; acc. no. 50.41). Homer's early watercolors are simple and direct, reflecting the innocent, idyllic nature of his subjects. They also reveal his cautious approach to the new medium, in that they feature washes of color carefully applied within pale pencil outlines and much opaque pigment. Nonethe by Piemags/PL Photography Limited is available for licensing today.
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