Bowl with Two Facing Peacocks. Dimensions: H. 3 3/4 in. (9.5 cm)Diam. 12 1/8 in. (30.5 cm). Date: second-third quarter 10th century.Birds were a particularly popular subject in the Abbasid period, as artists in many media transformed the creatures' beaks and wings into increasingly abstracted designs. The symmetrical pattern of two peacocks facing each other finds iconographic precedents in examples dating from the late antique and Byzantine periods, where it often carried paradisiacal connotations. The exterior is painted with a simple pattern of circles and lines. The underside of the foot is glazed and bears an Arabic inscription. Monochrome luster examples such as this were characteristic of the "second phase" of Abbasid lusterware, which developed in centers in Iraq in the tenth century. Museum: Metropolitan Museum of Art, New York, USA.

Bowl with Two Facing Peacocks. Dimensions: H. 3 3/4 in. (9.5 cm)Diam. 12 1/8 in. (30.5 cm). Date: second-third quarter 10th century.Birds were a particularly popular subject in the Abbasid period, as artists in many media transformed the creatures' beaks and wings into increasingly abstracted designs. The symmetrical pattern of two peacocks facing each other finds iconographic precedents in examples dating from the late antique and Byzantine periods, where it often carried paradisiacal connotations. The exterior is painted with a simple pattern of circles and lines. The underside of the foot is glazed and bears an Arabic inscription. Monochrome luster examples such as this were characteristic of the "second phase" of Abbasid lusterware, which developed in centers in Iraq in the tenth century. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Bowl with Two Facing Peacocks. Dimensions: H. 3 3/4 in. (9.5 cm)Diam. 12 1/8 in. (30.5 cm). Date: second-third quarter 10th century.Birds were a particularly popular subject in the Abbasid period, as artists in many media transformed the creatures' beaks and wings into increasingly abstracted designs. The symmetrical pattern of two peacocks facing each other finds iconographic precedents in examples dating from the late antique and Byzantine periods, where it often carried paradisiacal connotations. The exterior is painted with a simple pattern of circles and lines. The underside of the foot is glazed and bears an Arabic inscription. Monochrome luster examples such as this were characteristic of the "second phase" of Abbasid lusterware, which developed in centers in Iraq in the tenth century. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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DETAILS
Image Number: 4409-17383690Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3145×4200
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