The Boulevard Montmartre on a Winter Morning. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1897.After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the <i>grands boulevards</i>. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could "see down the whole length of the boulevards" with "almost a bird's-eye view of carriages, omnibuses, people, between big trees, big houses that have to be set straight." From February through April, he recorded--in two scenes of the boulevard des Italiens to the right, and fourteen of the boulevard Montmartre to the left--the spectacle of urban life as it unfolded below his window. Museum: Metropolitan Museum of Art, New York, USA.

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The Boulevard Montmartre on a Winter Morning. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1897.After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the <i>grands boulevards</i>. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could "see down the whole length of the boulevards" with "almost a bird's-eye view of carriages, omnibuses, people, between big trees, big houses that have to be set straight." From February through April, he recorded--in two scenes of the boulevard des Italiens to the right, and fourteen of the boulevard Montmartre to the left--the spectacle of urban life as it unfolded below his window. Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Boulevard Montmartre on a Winter Morning. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1897.After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the <i>grands boulevards</i>. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could "see down the whole length of the boulevards" with "almost a bird's-eye view of carriages, omnibuses, people, between big trees, big houses that have to be set straight." From February through April, he recorded--in two scenes of the boulevard des Italiens to the right, and fourteen of the boulevard Montmartre to the left--the spectacle of urban life as it unfolded below his window. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.