Boudoir from the Hôtel de Crillon ca. 1777-80 Pierre-Adrien Paris Arabesques are an inexhaustible source of ways to decorate in a beautiful style the interior and exterior of modern buildings, furniture, and even clothes.— Charles-Louis Clérisseau, 1779Delightful arabesques painted in pastel colors on a soft blue ground form the chief decoration of this paneling, which once lined the walls of a boudoir located next to the bedroom of Louis-Marie-Augustin, fifth duc d’Aumont (1709-1782), one of the four First Gentlemen of the King’s Bedchamber. In 1776 he rented an unfinished town house that had been constructed for the builder and entrepreneur Louis-François Trouard (1729-1794). It was one of several private mansions erected behind a facade built in a grand Neoclassical style by Jacques-Ange Gabriel (1698-1782) on the place Louis XV, now the place de la Concorde. A man of taste as well as a significant art collector, the duc d’Aumont engaged the architect Pierre-Adrien Pris to design

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Boudoir from the Hôtel de Crillon ca. 1777-80 Pierre-Adrien Paris Arabesques are an inexhaustible source of ways to decorate in a beautiful style the interior and exterior of modern buildings, furniture, and even clothes.— Charles-Louis Clérisseau, 1779Delightful arabesques painted in pastel colors on a soft blue ground form the chief decoration of this paneling, which once lined the walls of a boudoir located next to the bedroom of Louis-Marie-Augustin, fifth duc d’Aumont (1709-1782), one of the four First Gentlemen of the King’s Bedchamber. In 1776 he rented an unfinished town house that had been constructed for the builder and entrepreneur Louis-François Trouard (1729-1794). It was one of several private mansions erected behind a facade built in a grand Neoclassical style by Jacques-Ange Gabriel (1698-1782) on the place Louis XV, now the place de la Concorde. A man of taste as well as a significant art collector, the duc d’Aumont engaged the architect Pierre-Adrien Pris to design

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Boudoir from the Hôtel de Crillon ca. 1777-80 Pierre-Adrien Paris Arabesques are an inexhaustible source of ways to decorate in a beautiful style the interior and exterior of modern buildings, furniture, and even clothes.— Charles-Louis Clérisseau, 1779Delightful arabesques painted in pastel colors on a soft blue ground form the chief decoration of this paneling, which once lined the walls of a boudoir located next to the bedroom of Louis-Marie-Augustin, fifth duc d’Aumont (1709-1782), one of the four First Gentlemen of the King’s Bedchamber. In 1776 he rented an unfinished town house that had been constructed for the builder and entrepreneur Louis-François Trouard (1729-1794). It was one of several private mansions erected behind a facade built in a grand Neoclassical style by Jacques-Ange Gabriel (1698-1782) on the place Louis XV, now the place de la Concorde. A man of taste as well as a significant art collector, the duc d’Aumont engaged the architect Pierre-Adrien Pris to design by Piemags/PL Photography Limited is available for licensing today.

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