Boats off the Coast, Storm Approaching 1830 John Sell Cotman As he approached fifty, Cotman abandoned oil painting after a number of his works failed to sell and instead refocused his ambitions on watercolor. This luminous seascape demonstrates his mature mastery of the medium. The fishing boat threatened by a storm may allude to the artists personal struggles, but more obviously it pays tribute to J. M. W. Turners famous painting Dutch Boats in a Gale (1801; National Gallery, London), as both works are centered on a sharply canted, golden-sailed fishing boat, distant warship, and looming clouds. More generally, Cotman is declaring his admiration for seventeenth-century Dutch seascapes while also demonstrating how watercolors can effectively convey effects of light and weather. To produce the milky, foam-topped waves, for example, he experimented with mixing flour paste into his washes.. Boats off the Coast, Storm Approaching. John Sell Cotman (British, Norwich 1782-1842 London). 183

Boats off the Coast, Storm Approaching 1830 John Sell Cotman As he approached fifty, Cotman abandoned oil painting after a number of his works failed to sell and instead refocused his ambitions on watercolor. This luminous seascape demonstrates his mature mastery of the medium. The fishing boat threatened by a storm may allude to the artists personal struggles, but more obviously it pays tribute to J. M. W. Turners famous painting Dutch Boats in a Gale (1801; National Gallery, London), as both works are centered on a sharply canted, golden-sailed fishing boat, distant warship, and looming clouds. More generally, Cotman is declaring his admiration for seventeenth-century Dutch seascapes while also demonstrating how watercolors can effectively convey effects of light and weather. To produce the milky, foam-topped waves, for example, he experimented with mixing flour paste into his washes.. Boats off the Coast, Storm Approaching. John Sell Cotman (British, Norwich 1782-1842 London). 183
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Boats off the Coast, Storm Approaching 1830 John Sell Cotman As he approached fifty, Cotman abandoned oil painting after a number of his works failed to sell and instead refocused his ambitions on watercolor. This luminous seascape demonstrates his mature mastery of the medium. The fishing boat threatened by a storm may allude to the artists personal struggles, but more obviously it pays tribute to J. M. W. Turners famous painting Dutch Boats in a Gale (1801; National Gallery, London), as both works are centered on a sharply canted, golden-sailed fishing boat, distant warship, and looming clouds. More generally, Cotman is declaring his admiration for seventeenth-century Dutch seascapes while also demonstrating how watercolors can effectively convey effects of light and weather. To produce the milky, foam-topped waves, for example, he experimented with mixing flour paste into his washes.. Boats off the Coast, Storm Approaching. John Sell Cotman (British, Norwich 1782-1842 London). 183 by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low500 X 368
  • $150.00 Med750 X 553
  • $250.00 High3677 X 2709
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$1,225.00
RF High / Super Res 5 Pack
Save $25.00
$245.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29223581Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3677×2709
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|