Birds and Flowers 17th century Kano Tan'yū Japanese The six paintings on silk bring together bird-and-flower paintings of the celebrated Edo Kano painter Tanyū and two of his most talented pupils: his nephew Kano Naonobu and the female painter Kiyohara Yukinobu. The master painted the two central panels, Naonobu the ones immediately to the right and left of his teachers, and Yukinobu the outermost ones. Tanyū is credited with reviving the fortunes of the Kano studio, and moved from Kyoto to Edo (where the Tokugawa Shogunate was based) in 1614. Along with Tanyū, Naonobu was considered one of the top Kano painters of the early Edo period. In 1630, he was summoned to Edo by the Shogun, and established the Kobikichō branch of the Kano studio. Yukinobu, perhaps the most talented female painter of the Edo period, is said to have been a daughter of Tanyūs niece and the celebrated painter Kusumi Morikage (ca. 1620-1690). Like her father, she reworked conventional themes from Muromachi in

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Birds and Flowers 17th century Kano Tan'yū Japanese The six paintings on silk bring together bird-and-flower paintings of the celebrated Edo Kano painter Tanyū and two of his most talented pupils: his nephew Kano Naonobu and the female painter Kiyohara Yukinobu. The master painted the two central panels, Naonobu the ones immediately to the right and left of his teachers, and Yukinobu the outermost ones. Tanyū is credited with reviving the fortunes of the Kano studio, and moved from Kyoto to Edo (where the Tokugawa Shogunate was based) in 1614. Along with Tanyū, Naonobu was considered one of the top Kano painters of the early Edo period. In 1630, he was summoned to Edo by the Shogun, and established the Kobikichō branch of the Kano studio. Yukinobu, perhaps the most talented female painter of the Edo period, is said to have been a daughter of Tanyūs niece and the celebrated painter Kusumi Morikage (ca. 1620-1690). Like her father, she reworked conventional themes from Muromachi in

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Birds and Flowers 17th century Kano Tan'yū Japanese The six paintings on silk bring together bird-and-flower paintings of the celebrated Edo Kano painter Tanyū and two of his most talented pupils: his nephew Kano Naonobu and the female painter Kiyohara Yukinobu. The master painted the two central panels, Naonobu the ones immediately to the right and left of his teachers, and Yukinobu the outermost ones. Tanyū is credited with reviving the fortunes of the Kano studio, and moved from Kyoto to Edo (where the Tokugawa Shogunate was based) in 1614. Along with Tanyū, Naonobu was considered one of the top Kano painters of the early Edo period. In 1630, he was summoned to Edo by the Shogun, and established the Kobikichō branch of the Kano studio. Yukinobu, perhaps the most talented female painter of the Edo period, is said to have been a daughter of Tanyūs niece and the celebrated painter Kusumi Morikage (ca. 1620-1690). Like her father, she reworked conventional themes from Muromachi in by Piemags/PL Photography Limited is available for licensing today.

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