Bather in the Woods. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 23 3/4 x 28 3/4 in. (60.3 x 73 cm). Date: 1895.In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude peasant women bathing, even though he foresaw difficulties in engaging models in rural Éragny. None were completed until 1894, and Pissarro continued to paint variations on the theme through 1896. This picture falls midway in the project. Pissarro's approach reflects the continuing influence of divisionist technique, but more naturalistic tendencies emerge in his attempts to capture the delicate fall of light over the grassy bank and the woman's back. Her pose recurs in two studies of a clothed model painted the same year. Museum: Metropolitan Museum of Art, New York, USA.

Bather in the Woods. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 23 3/4 x 28 3/4 in. (60.3 x 73 cm). Date: 1895.In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude peasant women bathing, even though he foresaw difficulties in engaging models in rural Éragny. None were completed until 1894, and Pissarro continued to paint variations on the theme through 1896. This picture falls midway in the project. Pissarro's approach reflects the continuing influence of divisionist technique, but more naturalistic tendencies emerge in his attempts to capture the delicate fall of light over the grassy bank and the woman's back. Her pose recurs in two studies of a clothed model painted the same year. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Bather in the Woods. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 23 3/4 x 28 3/4 in. (60.3 x 73 cm). Date: 1895.In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude peasant women bathing, even though he foresaw difficulties in engaging models in rural Éragny. None were completed until 1894, and Pissarro continued to paint variations on the theme through 1896. This picture falls midway in the project. Pissarro's approach reflects the continuing influence of divisionist technique, but more naturalistic tendencies emerge in his attempts to capture the delicate fall of light over the grassy bank and the woman's back. Her pose recurs in two studies of a clothed model painted the same year. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.
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Image Number: 4409-17398759Rights ManagedCredit Line:Album/Album Archivo/SuperStockCollection:Album ArchivoContributor:AlbumModel Release:NoProperty Release:NoResolution:5868×4833
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