Barges at Pontoise. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 18 1/8 x 21 5/8 in. (46 x 54.9 cm). Date: 1876.In 1876 Pissarro undertook several views of the barges that transported goods along the Oise River to the bustling port of Pontoise, the town where he lived for many years. This canvas is the only one to show the boats up close, vividly accented with bold strokes of orange and green. So free is the handling that it is difficult to discern the figure on the prow of the barge at the left. Pissarro would return to this subject two decades later, in his scenes of the port traffic in Rouen and Paris (58.133, 1980.21.1). Museum: Metropolitan Museum of Art, New York, USA.

Brand: Album Archivo
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Barges at Pontoise. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 18 1/8 x 21 5/8 in. (46 x 54.9 cm). Date: 1876.In 1876 Pissarro undertook several views of the barges that transported goods along the Oise River to the bustling port of Pontoise, the town where he lived for many years. This canvas is the only one to show the boats up close, vividly accented with bold strokes of orange and green. So free is the handling that it is difficult to discern the figure on the prow of the barge at the left. Pissarro would return to this subject two decades later, in his scenes of the port traffic in Rouen and Paris (58.133, 1980.21.1). Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Barges at Pontoise. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 18 1/8 x 21 5/8 in. (46 x 54.9 cm). Date: 1876.In 1876 Pissarro undertook several views of the barges that transported goods along the Oise River to the bustling port of Pontoise, the town where he lived for many years. This canvas is the only one to show the boats up close, vividly accented with bold strokes of orange and green. So free is the handling that it is difficult to discern the figure on the prow of the barge at the left. Pissarro would return to this subject two decades later, in his scenes of the port traffic in Rouen and Paris (58.133, 1980.21.1). Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.