The Bard 1784 Figures engraved by John Hall This print was made as a frontispiece for Edward Jones's "Musical and Poetical Relations of the Welsh Bards." The imagery comes from Thomas Gray's "The Bard: A Pindaric Ode" which tells how the invading army of Edward I of England pushed the Welsh bard onto a cliff. Here we see the windblown figure continuing to play his harp as soldiers stand far below by the river Conway:On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Rob'd in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard, and hoary hair Stream'd, like a meteor, to the troubled air) And with a master's hand, and prophet's fire, Struck the deep sorrows of his lyre; "Hark, how each giant-oak, and desert cave, Sighs to the torrent's awful voice beneath! O'er thee, O King! their hundred arms they wave, Revenge on thee in hoarser murmurs breathe; Vocal no more, since Cambria's fatal day, To high-born Hoel's harp, or soft Llewellyn's lay.. The Bar

The Bard 1784 Figures engraved by John Hall This print was made as a frontispiece for Edward Jones's "Musical and Poetical Relations of the Welsh Bards." The imagery comes from Thomas Gray's "The Bard: A Pindaric Ode" which tells how the invading army of Edward I of England pushed the Welsh bard onto a cliff. Here we see the windblown figure continuing to play his harp as soldiers stand far below by the river Conway:On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Rob'd in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard, and hoary hair Stream'd, like a meteor, to the troubled air) And with a master's hand, and prophet's fire, Struck the deep sorrows of his lyre; "Hark, how each giant-oak, and desert cave, Sighs to the torrent's awful voice beneath! O'er thee, O King! their hundred arms they wave, Revenge on thee in hoarser murmurs breathe; Vocal no more, since Cambria's fatal day, To high-born Hoel's harp, or soft Llewellyn's lay.. The Bar
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Bard 1784 Figures engraved by John Hall This print was made as a frontispiece for Edward Jones's "Musical and Poetical Relations of the Welsh Bards." The imagery comes from Thomas Gray's "The Bard: A Pindaric Ode" which tells how the invading army of Edward I of England pushed the Welsh bard onto a cliff. Here we see the windblown figure continuing to play his harp as soldiers stand far below by the river Conway:On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Rob'd in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard, and hoary hair Stream'd, like a meteor, to the troubled air) And with a master's hand, and prophet's fire, Struck the deep sorrows of his lyre; "Hark, how each giant-oak, and desert cave, Sighs to the torrent's awful voice beneath! O'er thee, O King! their hundred arms they wave, Revenge on thee in hoarser murmurs breathe; Vocal no more, since Cambria's fatal day, To high-born Hoel's harp, or soft Llewellyn's lay.. The Bar by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29208423Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2527×3583
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