The Arhat Vajraputra. Artist: Unidentified Artist Sino-Tibetan, 15th century. Culture: Tibet. Dimensions: Image: 32 x 20 in. (81.3 x 50.8 cm). Date: 15th century.Tibetan Buddhism, imported in China by Mongol rulers in the thirteenth century, enjoyed further patronage from fifteenth-century emperors of the early Ming period. This work vividly demonstrates how hieratic Tibetan imagery was transformed under Chinese influence into a more naturalistic style, witnessed most strongly in the Sinicized treatment of landscapes. This painting, originally part of a set depicting the sixteen arhats (Buddhist saints), portrays Vajraputra, his hand raised in the teaching gesture (vitarkamudra), expounding dharma to a devotee. Tibetan inscriptions appear on the lower left margin and on the reverse. Museum: Metropolitan Museum of Art, New York, USA.

The Arhat Vajraputra. Artist: Unidentified Artist Sino-Tibetan, 15th century. Culture: Tibet. Dimensions: Image: 32 x 20 in. (81.3 x 50.8 cm). Date: 15th century.Tibetan Buddhism, imported in China by Mongol rulers in the thirteenth century, enjoyed further patronage from fifteenth-century emperors of the early Ming period. This work vividly demonstrates how hieratic Tibetan imagery was transformed under Chinese influence into a more naturalistic style, witnessed most strongly in the Sinicized treatment of landscapes. This painting, originally part of a set depicting the sixteen arhats (Buddhist saints), portrays Vajraputra, his hand raised in the teaching gesture (vitarkamudra), expounding dharma to a devotee. Tibetan inscriptions appear on the lower left margin and on the reverse. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Arhat Vajraputra. Artist: Unidentified Artist Sino-Tibetan, 15th century. Culture: Tibet. Dimensions: Image: 32 x 20 in. (81.3 x 50.8 cm). Date: 15th century.Tibetan Buddhism, imported in China by Mongol rulers in the thirteenth century, enjoyed further patronage from fifteenth-century emperors of the early Ming period. This work vividly demonstrates how hieratic Tibetan imagery was transformed under Chinese influence into a more naturalistic style, witnessed most strongly in the Sinicized treatment of landscapes. This painting, originally part of a set depicting the sixteen arhats (Buddhist saints), portrays Vajraputra, his hand raised in the teaching gesture (vitarkamudra), expounding dharma to a devotee. Tibetan inscriptions appear on the lower left margin and on the reverse. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17430179Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2576×4094
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