The Annunciation to Zacharias; (verso) The Angel of the Annunciation ca. 1455-60 Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the cycle are unknown, it is likely that the panels formed two movable wings of a cupboard or custodia containing a sculpture or reliquary of Saint John the Baptist. The Annunciation to Zacharias, taken from the Gospel of Saint Luke (1:5-25), recounts the moment at which the Angel Gabriel foretells the birth of a son, John the Baptist, to the childless Zacharias. The incredulous Zacharias performs his priestly duties in an elaborate architectural setting whose domes and lantern recall Bru

The Annunciation to Zacharias; (verso) The Angel of the Annunciation ca. 1455-60 Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the cycle are unknown, it is likely that the panels formed two movable wings of a cupboard or custodia containing a sculpture or reliquary of Saint John the Baptist. The Annunciation to Zacharias, taken from the Gospel of Saint Luke (1:5-25), recounts the moment at which the Angel Gabriel foretells the birth of a son, John the Baptist, to the childless Zacharias. The incredulous Zacharias performs his priestly duties in an elaborate architectural setting whose domes and lantern recall Bru
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Annunciation to Zacharias; (verso) The Angel of the Annunciation ca. 1455-60 Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the cycle are unknown, it is likely that the panels formed two movable wings of a cupboard or custodia containing a sculpture or reliquary of Saint John the Baptist. The Annunciation to Zacharias, taken from the Gospel of Saint Luke (1:5-25), recounts the moment at which the Angel Gabriel foretells the birth of a son, John the Baptist, to the childless Zacharias. The incredulous Zacharias performs his priestly duties in an elaborate architectural setting whose domes and lantern recall Bru by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low238 X 500
  • $150.00 Med357 X 750
  • $250.00 High1906 X 4000
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$1,225.00
RF High / Super Res 5 Pack
Save $25.00
$245.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29706189Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:1906×4000
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|