The Annunciation 1506 Gerard David Netherlandish These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of Northern and Italian artistic modes that perhaps reflect the patrons ties to both regions. Listen to experts illuminate this artwork's story Listen Play or pause #2621. The Annunciation Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Annunciation. Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). 1506. Oil o

The Annunciation 1506 Gerard David Netherlandish These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of Northern and Italian artistic modes that perhaps reflect the patrons ties to both regions. Listen to experts illuminate this artwork's story Listen Play or pause #2621. The Annunciation Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Annunciation. Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). 1506. Oil o
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Annunciation 1506 Gerard David Netherlandish These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of Northern and Italian artistic modes that perhaps reflect the patrons ties to both regions. Listen to experts illuminate this artwork's story Listen Play or pause #2621. The Annunciation Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Annunciation. Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). 1506. Oil o by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29176325Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:4000×2426
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