Annie 1858 James McNeill Whistler American Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artists first serious efforts in the medium. This example centers on Whistler's niece and emphasizes an abstract pattern of darks and lights over portraiture, omitting the figure's legs. In November 1858, Whistler included the print in his first published set, "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set.". Annie 372476

Brand: PL Photography Limited
SKU: 6145-29816244
Availability: InStock

Annie 1858 James McNeill Whistler American Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artists first serious efforts in the medium. This example centers on Whistler's niece and emphasizes an abstract pattern of darks and lights over portraiture, omitting the figure's legs. In November 1858, Whistler included the print in his first published set, "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set.". Annie 372476

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Annie 1858 James McNeill Whistler American Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artists first serious efforts in the medium. This example centers on Whistler's niece and emphasizes an abstract pattern of darks and lights over portraiture, omitting the figure's legs. In November 1858, Whistler included the print in his first published set, "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set.". Annie 372476 by Piemags/PL Photography Limited is available for licensing today.

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