Angelica and Medoro possibly early 1630s Jacques Blanchard French The canvas illustrates a passage from Ludovico Ariosto's (1474-1533) epic poem Orlando Furioso (XIX:36), in which the two lovers engrave their names in the bark of a tree. Because the painting's surface is worn, the letters are no longer visible. In the early 1630s Blanchard decorated the galleries of private houses in Paris with series of narrative painting such as this. The soft lighting and languid nudity suggest the influence of sixteenth-century Venetian painting.. Angelica and Medoro 435672
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Angelica and Medoro possibly early 1630s Jacques Blanchard French The canvas illustrates a passage from Ludovico Ariosto's (1474-1533) epic poem Orlando Furioso (XIX:36), in which the two lovers engrave their names in the bark of a tree. Because the painting's surface is worn, the letters are no longer visible. In the early 1630s Blanchard decorated the galleries of private houses in Paris with series of narrative painting such as this. The soft lighting and languid nudity suggest the influence of sixteenth-century Venetian painting.. Angelica and Medoro 435672 by Piemags/PL Photography Limited is available for licensing today.
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DETAILS
Image Number: 6145-29815109Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography Limited Contributor:Piemags Model Release:NoProperty Release:NoResolution:3811×2640
