Allegorical performance with Dutch Virgin and Hercules. Hercules, with just a lion skin, is raised by FAMA. Left of it's the Dutch Virgin with lance and shield with seven arrows. They are flanked by caution with mirror and hose and justice with scales and sword. For them, Medusa is located and putti with coats of arms from Groningen and Friesland, among others. On the right a pyramid and a column with names of areas. In the background a battle. In the air two putti present a portrait medallion to Jupiter with lightning bolts and eagle.

Allegorical performance with Dutch Virgin and Hercules. Hercules, with just a lion skin, is raised by FAMA. Left of it's the Dutch Virgin with lance and shield with seven arrows. They are flanked by caution with mirror and hose and justice with scales and sword. For them, Medusa is located and putti with coats of arms from Groningen and Friesland, among others. On the right a pyramid and a column with names of areas. In the background a battle. In the air two putti present a portrait medallion to Jupiter with lightning bolts and eagle.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Allegorical performance with Dutch Virgin and Hercules. Hercules, with just a lion skin, is raised by FAMA. Left of it's the Dutch Virgin with lance and shield with seven arrows. They are flanked by caution with mirror and hose and justice with scales and sword. For them, Medusa is located and putti with coats of arms from Groningen and Friesland, among others. On the right a pyramid and a column with names of areas. In the background a battle. In the air two putti present a portrait medallion to Jupiter with lightning bolts and eagle. by Piemags/PL Photography Limited is available for licensing today.

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Allegorical figures around a burial monument; Mengel-Pozy. Left is a grave monument to see with a caption. To the left there is a woman with a crown in her hand and - possible - a short, strike weapon. To the right is a winching woman for another woman. Two putti floats around the monument, one of whom is growing. Pan is in front.
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Allegorie op de overwinning op Macedonië; Titelpagina voor: Marcus Iunianus Iustinus en Abraham Gronovius, Iustini Historiae Philippicae, 1719.In the foreground is history with an open book with title. Behind her is Minerva with a bust of Roma. At the right, Fortuna balances on a globe, she lounges the bust. Father time with hourglass on the head stands behind the three women with a sign with turbans and swords. In the sky, Fama blows on a trumpet, in her hand she holds a portrait medallion. In the background right a burning city (possibly in the Macedonian monarchy), left is an emperor under a canopy.
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Picart, Bernard, Amsterdam, Title page for: Plinius, Histoire de la peinture ancienne, 1725, Le triomphe de la peinture, Triomf van de schilderkunst, verso lower left - stamped, Allegorical title page with Peace (Pax), Abundance (Abundantia) and Urbanity carrying Painting to the personification of Rome. Ignorance (Ignorantia), Envy (Invidia) and Superstition (Idolatria) try to stop them. On the right in the foreground Mnemosyne, the goddess of memory, who pulls texts from the hands of Father Time. In the sky on a cloud Eternity with a laurel wreath in her hand. In the background a view of Rome. In the margin a nine-line caption in French., print, title page, prints, height 260 mm, width 174 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1725 - 1725, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by
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Picart, Bernard, Amsterdam, Title page for: N. Boileau, Oeuvres, 1722, Portrait of Nicolas Boileau carried to Parnassus, verso lower left - stamped, Satirical Poetry carries the portrait of the French writer Nicolas Boileau to Parnassus. On the mountain Apollo and the Muses await, who will crown the portrait of the writer., print, engraving, title print, prints, height 157 mm, width 90 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1719 - 1719, first quarter 18th century, paper, papier, etching, etchings, engraving (printing process), Work conception, after own design by
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Self-portrait with plumed velvet beret, Rembrandt van Rijn (mentioned on object), 1638, paper, drypoint, h 134 mm × w 103 mm
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Nymph on the knee of a Sater, Lucas Kilian, After Joseph Heintz (I), 1589 - 1615 print Text in Latin in the lower margin. paper engraving satyr(s) pursuing nymph(s)
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Expulsion from Paradise, Jan Saenredam, after Abraham Bloemaert, 1690 - 1750 print Adam and Eva are driven out by the angel with the flaming sword from earthly paradise. The snake crawls next to them. Assendelft paper engraving expulsion of Adam and Eve from paradise (Genesis 3:22-24)
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Allegorical female figure describes a panel in the clouds, Jan Luyken, Pieter Mortier, 1705
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Amsterdam, Picart, Bernard, Personification of the conquered Judea is rebuked by the Vengeance, verso lower left - stamped, The personification of the conquered Judea looks up to heaven. She is surrounded by attributes that come from the destroyed temples of Jerusalem. She sits on a dead priest, before her lies a naked woman whose body is pierced with a dagger. In the air flies the avenging angel, a flaming sword in his hand. Peace (Pax) points her to Justice in heaven. In the background the temple in Jerusalem, which is going up in flames., print, prints, height 142 mm, width 88 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1721 - 1721, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process)
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6145-59591530
Allegorical show with Telemachus, Jan Wandelaar, 1733 print Telemachus looks at a winged figure longing for a winged figure, where an old man points out to him. He is stopped by a woman, with an incense in his hands. In the background at a monument a lion with bundled arrows, poetry and a female figure that points to a book. Boven in the top left, fame blows on the trumpet, an eternity symbol in her hands. On the right, a putto sticks itself through the heart with a dagger. Putti in the foreground that blow bubbles at a goat. paper etching / engraving (story of) Telemachus. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'
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6145-30065306
Table of virtues and vices of antiquity, oenea, eighteenth number of a sequence of 24 pieces, (Dutuit p. 36, white 110) Cornelis II Bloemaert, said the young person (1603-1692). Table of the virtues and vices of antiquity, oenea, eighteenth number of a sequence of 24 pieces, (Dutuit 36, white 110). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.
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The sacrifice of Isaac by his father Abraham ca. 1640-42 Pietro Testa Italian. The sacrifice of Isaac by his father Abraham. Pietro Testa (Italian, Lucca 1612-1650 Rome). ca. 1640-42. Etching. Prints
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6145-45870563
Mercury seeks trade and shipping. From the air, Mercury watches the personal trade (caduceus) and shipping (sailing ship in minusatian) with a bazuin in his hands. A putto brings the trade a horn filled with coins, behind this looks a second putto packaged merchandise. Personified shipping is behind the trade and has put a hand on her shoulder. Behind this group of figures is on a high base a statue of the peace (olive branch), flanked by a trumpet blowing angel. On the right is in the foreground a large globe, behind this view of a port.
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Venus and Apollo, Jan Goeree, 1716 print In the middle Venus on a throne. Next to her throne two putti with a winch. Apollo is left and tramples an owl under his right foot. Venus writes with a spring in a book that Apollo offers her. A pegasus behind the throne. A flying putto holds a drapery with the title of the book up. Amsterdam paper engraving (story of) Venus (Aphrodite). (story of) Apollo (Phoebus). Pegasus, the winged horse. cupids: 'amores', 'amoretti', 'putti'. owls
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Allegorische titelpagina met het portret van Charles de Saint-Évremond; Titelpagina voor: C. de Saint-Évremond, Oeuvres, 1739.Tearance points history on the portrait of the writer Charles de Saint-Évremond. The oval with its image is worn by fame and a putto that symbolizes trade. Pegasus flies in the background in the landscape. In the margin a four-line subscribe in French.
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Pax. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: Sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA.
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Sebastian, holy.
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Maria Theresia, Roman-German Empress.
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Portrait of Nicolas Boileau to the Parnassus worn, Bernard Picart (workshop or), After Bernard Picart, 1718 print Satirical poetry carries the portrait of the French writer Nicolas Boileau to the Parnassus. Apollo and the muses are waiting for the mountain, who will laurel the writer's portrait. In the background Pegasus as a symbol of poetic genius. In the margin a three -faced caption in French. Amsterdam paper etching / engraving Apollo and the Muses, Apollo Musagetes. Parnassus, sacred to Apollo Musagetes. writer, poet, author. symbolic representations, allegories and emblems ~ satirical poetry; 'Poema satirico' (Ripa)
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Picart, Bernard, Amsterdam, Title page for: N. Boileau, Oeuvres, 1729, Portrait of Nicolas Boileau carried to Parnassus, verso lower left - stamped, Satirical Poetry carries the portrait of the French writer Nicolas Boileau to Parnassus. On the mountain Apollo and the muses await, who will laureate the portrait of the writer. In the background Pegasus as a symbol of poetic genius. In the margin a three-line caption in French., print, engraving, title page, prints, height 355 mm, width 224 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1729, second quarter 18th century, paper, papier, etching, etchings, engraving (printing process), Work conception
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Image Number: 6145-46477378Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Allegorical Prints from the 18th CenturyContributor:PiemagsModel Release:NoProperty Release:NoResolution:1607×2500
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