Album folio of a pink lotus, Mughal dynasty, 18th century, 16 3/8 x 11 5/16 in. (41.6 x 28.8 cm), Opaque watercolor and gold on paper, India, Mughal dynasty, 18th century, There are many ways to contextualize this fluidly painted flower. It is said that flowers became an important painting genre in the Mughal studios after the Emperor Jehangir (reign 1605-27) encountered the springtime flora of the Kashmir Valley in northwestern India. This also coincided with the arrival of European floral prints brought by Jesuit missionaries. Already, floral sprays were a primary element in Mughal (reign 1526-1857) decorative arts, inspired by the pervasive floral environments of the paradisal gardens described in Islamic texts. Here, the painter imaginatively interprets a pink lotus, which is associated with purity in many South Asian belief systems.

Album folio of a pink lotus, Mughal dynasty, 18th century, 16 3/8 x 11 5/16 in. (41.6 x 28.8 cm), Opaque watercolor and gold on paper, India, Mughal dynasty, 18th century, There are many ways to contextualize this fluidly painted flower. It is said that flowers became an important painting genre in the Mughal studios after the Emperor Jehangir (reign 1605-27) encountered the springtime flora of the Kashmir Valley in northwestern India. This also coincided with the arrival of European floral prints brought by Jesuit missionaries. Already, floral sprays were a primary element in Mughal (reign 1526-1857) decorative arts, inspired by the pervasive floral environments of the paradisal gardens described in Islamic texts. Here, the painter imaginatively interprets a pink lotus, which is associated with purity in many South Asian belief systems.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Album folio of a pink lotus, Mughal dynasty, 18th century, 16 3/8 x 11 5/16 in. (41.6 x 28.8 cm), Opaque watercolor and gold on paper, India, Mughal dynasty, 18th century, There are many ways to contextualize this fluidly painted flower. It is said that flowers became an important painting genre in the Mughal studios after the Emperor Jehangir (reign 1605-27) encountered the springtime flora of the Kashmir Valley in northwestern India. This also coincided with the arrival of European floral prints brought by Jesuit missionaries. Already, floral sprays were a primary element in Mughal (reign 1526-1857) decorative arts, inspired by the pervasive floral environments of the paradisal gardens described in Islamic texts. Here, the painter imaginatively interprets a pink lotus, which is associated with purity in many South Asian belief systems. by Artokoloro is available for licensing today.
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Image Number: 4443-28737222Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:4874×6737
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