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6145-30165230
Armored Guardian King (Tianwang) Trampling Demon 701 CE-750 CE China. Earthenware with three color (sancai) lead glazes and traces of pigments .
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6145-29711726
Dancer Putting on Her Stocking (First State) modeled probably ca. 1896-1912, cast 1920 Edgar Degas French Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artists lifetime.Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their e
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6145-29710790
Shaft-hole axe head with bird-headed demon, boar, and dragon ca. late 3rd-early 2nd millennium B.C. Bactria-Margiana Archaeological Complex Ancient Bactria and Margiana were areas along the Oxus and Murghab rivers in modern Uzbekistan, Tajikistan, and Afghanistan. While these areas were sparsely inhabited during much of the third millennium B.C., by about 2200 B.C. permanent settlements with distinctive forms of architecture, burial practices, and material culture had been established, supported in part by active trade with parts of Iran, Mesopotamia, and the Indus Valley.This silver-gilt shaft-hole axe is a masterpiece of three-dimensional and relief sculpture. Expertly cast and gilded with foil, it represents a bird-headed hero grappling with a wild boar and a winged dragon. The idea of the heroic bird-headed creature probably came from western Iran, where it is first documented on a cylinder seal impression. The hero's muscular body is human except for the bird talons that replace t
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1558-13913433
China, Shanghai, Shanghai Museum, Tang Dynasty (618-907 AD) Glazed Pottery Statue of a Man Playing Musical Instrument on a Camel
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6145-46832858
Shadow Puppet (Wayang Kulit) of Gendoro, from the set KyaiNugroho. Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra
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6145-43502547
Mount
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6145-29124426
Ganesha, Lord of Obstacles. India, Himachal Pradesh, Chamba (), 16th-17th century. Sculpture. Copper alloy
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6145-46833119
Puppet (Wayang Klitik) ofYudistira
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6145-46832848
Shadow Puppet (Wayang Kulit) of Brojomusti, from the set KyaiNugroho. Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra
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6145-46832810
Shadow Puppet (Wayang Kulit) of Suwedo, from the set KyaiNugroho. Maker: Gendeng (Desa) Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra
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6145-59045448
Aimé-Jules Dalou (1838-1902). "Killer sharpening his knife". Terracotta, between 1889 and 1898. Museum of Fine Arts of the city of Paris, Petit Palais. Sharpening, knife, terracotta, killer
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6145-59005033
Alexandre Falguière (1831-1900). Wrestlers. Brown wax. 1875. Museum of Fine Arts of the City of Paris, Petit Palais. WRESTLER
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4409-17438047
Two pigeons. Culture: French. Dimensions: Height: 22 in. (55.9 cm). Date: first half 18th century. Museum: Metropolitan Museum of Art, New York, USA.
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4443-28741744
Figural Plaque, 2nd-3rd century, 5 11/16 x 2 1/2 in. (14.45 x 6.35 cm), Gilt bronze, China, 2nd-3rd century
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6145-59025284
Bourbier, Paul, Portrait - Charge of Paulin Menier, Jean René Paul Comte Dit (1822-1898), actor, role of Chopart in the Courrier de Lyon. Polychrome plaster. Carnavalet museum, history of Paris.
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4409-28494493
ESCULTURA- RETRATO DE MARC CHAGALL- 1932- COL PARTICULAR DE PARIS. Author: PABLO GARGALLO (1881-1934). Location: MUSEO REINA SOFIA-ESCULTURA. MADRID. SPAIN.
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6145-29828305
Door knocker 19th century, after 17th century original After a model attributed to Danese Cattaneo This electrotype is after a seventeenth-century original model in bronze in the Victoria and Albert Museum, London.. Door knocker 185893
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6145-58847489
Base for an oil lamp, Andrea Briosco (follower of), c. 1530 - c. 1539 On the corner at the front of the three -sided base, which rests three on the front curly legs, there is a siren, whose wings spread against the side walls of the foot. At the top the head of a wild boar, who holds his snout against the head stretched forward of the siren. The latter wears a wide band around the neck with a beef skull as a piece of jewelry and a trench band around her waist, including Acanthus leaves hanging. These partly cover the front curl leg underneath, partly it splitting into two parts, which gives narrow and turns into both rear curl legs. On the abdomen there is a winged putto in high relief on both sides that drinks from the chest of the siren; Averted from him is, also in high relief, on one side a satyr with pan flute and on the other a satyr doubt with torch, playing on a pan flute. On the back of a packed oval plaque to an antique example: Jupiter sat on an eagle opposite a standing nak
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4409-17548876
Allegorical Figure of Africa. Derby Porcelain Manufactory; England, 1750-1848. Date: 1770-1780. Dimensions: H. 25.1 cm (9 7/8 in.); base diam. 12 cm (4 3/4 in.). Soft-paste porcelain with polychrome enamels and gilding. Origin: Derby. Museum: The Chicago Art Institute, Chicago, USA.
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6145-29749028
Harlequin ca. 1760-70 Real Fabrica de Buen Retiro. Harlequin 207164
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Image Number: 6145-46640734Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Diverse Artistic FiguresContributor:PiemagsModel Release:NoProperty Release:NoResolution:1915×3000