The Act Directs (Cattle On A Bridge-Castle Ruins) 1780 Thomas Gainsborough (1727-1788/British) Etching The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA

The Act Directs (Country Courtyard) 1780 Thomas Gainsborough (1727-1788/British) Etching The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA

The Act Directs (Two Market Carts) 1780 Thomas Gainsborough (1727-1788/British) Etching The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA

Act 4 Scene 2, Adults Only, Art, Beard, Borachio, Characters, Clerk, Color Image, Comedy, Conrade, Constable, Dogberry, Full Length, Group Of People, History, Horizontal, Illustration, Illustration And Painting, Indoors, Instructing, Law, Literature, Men, Much Ado About Nothing, Night, Occupation, O

Lichens growing in old cornish woodland forest England UK United Kingdom GB Great Britain British Isles Europe EU Lichens only thrive in areas low in pollution and act as a barometer of good air quality

Audience seated around central stage at Casino Lisboa watch male duo circus act perfoming gymnastics to music, Parque das Nacoes district.

California Sea Lions take over a public pier and can not be legally removed under the Marine Mammel Protection Act Zalophus californiaus Moss Landing California

19Th Century, Act II, Adults Only, Alcohol, Art, Barrel, Beard, Beverage, Bottle, Cassio, Castle, Celebration, Chair, Characters, Color Image, Drink, Drinking, Enjoyment, Food And Drink, Full Length, Glass, Group Of People, Hall, History, Holding, Horizontal, Illustration, Illustration And Painting,

Henry V (1387-1422), king of England from 1413, courting Katherine, daughter of the French king. King Henry V Act V, Scene II. Illustration by Robert Dudley (active 1858-1893) published 1856-1858 for the historical drama King Henry V by William Shakespeare, written 1599. Henry married Catherine of V

Audience seated around central stage at Casino Lisboa watch male duo circus act perfoming gymnastics to music, Parque das Nacoes district.

'Ushabti' figure, their purpose was to act as a magical substitute for the deceased owner when the gods requested him to undertake menial tasks in the afterlife. Egyptian Museum. Egypt

The Disenchantment Of Bottom From 'A Midsummer Night's Dream' Act IV Scene I, By Shakespeare 19th Century Daniel Maclise (1806-1870 British) Oil On Canvas Private Collection

Act III, Alonso, Art, Banquet, Beard, Cane, Characters, Color Image, Day, Fairies, Fairy, Full Length, Goblin, History, Horizontal, Illustration, Illustration And Painting, Invisible, King, Large Group Of People, Leaf, Literature, Men, Mortals, Naples, Outdoors, Painted Image, Paintings, Past, Perfo

Shakespeare King Lear first performed c1605 Lear, betrayed by daughters Goneril and Regan and confused by rage, powerlessness and ill-treatment, comforted by youngest daughter, Cordelia. Act IV, Sc.VII . Chromolithograph c1858

Male Act, Study For The Truth Mannlicher Akt, Studie Zur Wahrheit c.1902 Ferdinand Hodler (1853-1918 Swiss) Pen & Ink Christie's Images, London, England

19Th Century, Act IV, Adults Only, Advocate, Antonio, Art, Authority, Balthazar, Beard, Characters, Color Image, Crime, Defending, Dishonesty, Full Length, History, Horizontal, Illustration, Illustration And Painting, Judge, Justice, Large Group Of People, Law, Lawyer, Legal Occupation, Legal System

'Here I And Sorrow Sit', Act II Scene Of 'King John' By Wllliam Shakespeare (1564-1616) 1783 Henry Henry(1741-1825 Swiss) Oil On Canvas Smith College Museum of Art, Northampton, MA, USA

Henry VII (1457-1509) first Tudor king of England from 1485. His first act of parliament with initial portrait of king. Border illuminated with flora and fauna. Thomas Pigot's Book of Statutes Bodleian Library, Oxford

'Ushabti' figure, their purpose was to act as a magical substitute for the deceased owner when the gods requested him to undertake menial tasks in the afterlife. Egyptian Museum. Egypt

'Ushabti' figure, their purpose was to act as a magical substitute for the deceased owner when the gods requested him to undertake menial tasks in the afterlife. Egyptian Museum. Egypt

19Th Century, Act III, Adults Only, Arms Crossed, Art, Cassio, Characters, Color Image, Desdemona, Dishonesty, Five People, Full Length, Head And Shoulders, History, Horizontal, Ignorance, Illustration, Illustration And Painting, Infidelity, Literature, Love, Men, Mountain, Othello, Outdoors, Painte

Italy - Tuscany Region - Siena. Piccolomini Library at Siena Cathedral. Pinturicchio, Life of Pius II. Enea Silvio Piccolomini in act of submission to Pope Eugene IV, fresco, 1503-1508

'Ushabti' figure, their purpose was to act as a magical substitute for the deceased owner when the gods requested him to undertake menial tasks in the afterlife. Egyptian Museum. Egypt

Man praying on front of statue at the Chyasin Dega Temple of Vansagopal Krishna in the act of playing the flute, Hanuman_Dhoka Durbar Square, UNESCO World Heritage Site, Kathmandu, Nepal, Asia

19Th Century, Act L, Adults Only, Art, Battlement, Building Exterior, Building Structure, Castle, Characters, Color Image, Crown, Elsinore Castle, Family With One Child, Father, Four People, Full Length, Ghost, Hamlet, History, Holding, Horizontal, Illustration, Illustration And Painting, Literature

King Lear And The Fool In The Storm Act III Scene 2 - From 'King Lear' by William Shakespeare 1836 Louis Candide Boulanger (1807-1867 French) Oil On Canvas Musee de la Ville de Paris, France