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202 images for GALLERIA NAZIONALE D'ARTE MODERNA (NATIONAL GALLERY OF MODERN ART)
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Coronation of Esther, 1849, Vincent Moroni (1809-1870).
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Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the second version, 1865, by Domenico Morelli (1826-1901), oil...
Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the second version, 1865, by Domenico Morelli (1826-1901), oil on canvas. Detail.
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Ripa Grande, by Giovanni Costa known as Nino (1826-1903).
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Garibaldini (Garibaldi volunteers) the day before the battle, by Filippo Palizzi (1818-1899). Detail.
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The Second War of Independence: The Battle of San Martino, 24 June 1859, by Michele Cammarano (1835-1920).
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Golden Reflections, 1905, by Arturo Noci (1874-1953), oil on canvas, 153x80 cm.
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Peasant Woman at Montemurlo, 1862, by Vincenzo Cabianca (1833-1902).
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The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm. Detai...
The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm. Detail.
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Waiting for the bride, 1879, by Giacomo Favretto (1849-1887).
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Summer on Lake Como, by Vittore Grubicy de Dragon (1851-1920).
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The terrace, by Edoardo Dalbono (1841-1915), oil on panel, 45x30 cm.
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In the studio, 1880, by Napoleone Nani (1841-1899), oil on canvas.
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A cafe in Piazza San Marco (Saint Mark's Square), 1869, by Michele Cammarano (1835-1920).
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Diana of Ephesus and the Slaves, 1895-1899, by Giulio Aristide Sartorio (1860-1932), oil on canvas, 304x421 cm. Detail.
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Women carrying wood in the port of Anzio, 1852, Giovanni, known as Nino Costa (1826-1903).
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Winter, 1940, by Eugene Laermans (1864-1940).
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Resurrection, 1911, by Giulio Bargellini (1875-1936).
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Bacchus and Ariadne, by Nicola Carta.
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Self-portrait, by Filippo Palizzi (1818-1899).
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The guardian watching over baby hatch, 1877, by Gioacchino Toma (1836-1891), oil on canvas, 57.5 x 83 cm.
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The walk up to Ariccia, 1839, by Giambattista Bassi (1784-1852).Detail.
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News of the Peace of Villafranca, 1862, by Domenico Induno (1815-1878), oil on canvas, 182x286 cm.
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The visit, by Silvestro Lega (1826-1895). Detail.
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Desolate Roman countryside, by Enrico Coleman (1846-1911).
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Roman sunset, 1892, by Onorato Carlandi (1848-1939), oil on canvas, 100x300 cm.
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The visit, by Silvestro Lega (1826-1895).
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Returning from the fields, by Guglielmo Ciardi (1842-1917).
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Pater Noster, the Sermon on the Mount, about 1895, by Domenico Morelli (1826-1901), oil on canvas.
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The Maries attend the crucifixion of Christ, by Domenico Morelli (1826-1901).
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Saint Stephen picked up by pious men after being stoned, 1853, by Bernardo Celentano (1835-1863).
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The vote, 1883, by Francesco Paolo Michetti (1851-1929), oil on canvas, 245x695 cm.
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At the source, by Giovanni, known as Nino Costa (1826-1903). Detail.
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Glory, triptych, by Giuseppe Mentessi (1857-1931).
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In the cabin, 1911, by Arturo Noci (1874-1953), oil on canvas, 155x171 cm.
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Transporting a block, by Giuseppe Raggio (1823-1916).
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Meadow with flowers, 1900-1903, by Giuseppe Pelizza da Volpedo (1868-1907), oil on canvas, 88x88 cm.
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Fisherman Taking up the Nets, 1896, by Joaquin Sorolla y Bastida (1863-1923).
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The pumping machine, 1863, by Silvestro Lega (1826-1895), oil on canvas, 44.5x78.2cm. Detail.
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Charles VIII visiting the dying Gian Galeazzo Sforza in Pavia Castle, 1494, by Pelagio Palagi (1775-1860), 1816, oil on canva...
Charles VIII visiting the dying Gian Galeazzo Sforza in Pavia Castle, 1494, by Pelagio Palagi (1775-1860), 1816, oil on canvas, 118x189 cm. Italy, 15th century.
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Landscape, by Serafino De Tivoli (1826-1892).
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Our Lady of the Rosary, 1840, by Tommaso Minardi (1787-1871), oil on canvas, 108x82 cm.
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Coal Boats in Chioggia, by Mose Bianchi (1840-1904).
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Pasture, willows and figurines in Grez, by Filippo Palizzi (1818-1899).
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The Temptation of St Anthony, 1878, by Domenico Morelli (1826-1901), oil on canvas, 138x225 cm. Detail.
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Count Lara, 1861, by Domenico Morelli (1826-1901).
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Portrait of Maestro Ferruccio Busoni, by Umberto Boccioni (1882-1916).
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At the pole, ca 1886, by Giovanni Segantini (1858-1899), oil on canvas, 170x389 cm.
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The temple of Venus, 1876, by Giuseppe Sciuti (1834-1911), oil on canvas, 50x66 cm.
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Women in the sand, ca 1875, by Giuseppe de Nittis (1846-1884), oil on canvas, 35x26 cm.
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Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the first version, 1865, by Domenico Morelli (1826-1901), oil ...
Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the first version, 1865, by Domenico Morelli (1826-1901), oil on canvas, 185x266 cm.
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Portrait of his son Eduardo Gordigiani,a painter, the architect Egisto Fabbri and the painter Alfredo Muller, 1895, by Michel...
Portrait of his son Eduardo Gordigiani,a painter, the architect Egisto Fabbri and the painter Alfredo Muller, 1895, by Michele Gordigiani (1830-1909).
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The heir, by Teofilo Patini (1840-1906). Detail.
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First movement of the Sicilian Vespers, 1852, by Andrea Gastaldi (1826-1889), oil on canvas. Sicilian Vespers, Italy, 13th ce...
First movement of the Sicilian Vespers, 1852, by Andrea Gastaldi (1826-1889), oil on canvas. Sicilian Vespers, Italy, 13th century.
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The Embalming of Christ, 1871, by Domenico Morelli (1826-1901), oil on canvas.
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After the Bath, 1884, by Giacomo Favretto (1849-1887), oil on canvas, 55x96 cm.
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Corner of the garden with landscape background, 1912, by Angelo Morbelli (1853-1919). Oil on canvas, 30x42.8 cm.
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Funeral of a virgin, 1912-1913, by Gaetano Previati (1852-1920), oil on canvas, 156x220 cm. Detail of left panel.
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Small dome at the Cascine Park, by Raffaello Sernesi (1838-1866).
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Rainy weather, by Enrico Coleman (1846-1911).
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At the pawn shop, 1878, by Luigi Serra (1846-1888), oil on canvas.
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Embalming of Christ, by Domenico Morelli (1826-1901).
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Martyrdom of St Lawrence, 1825-1827, by Francesco Podesti (1800-1895).
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The terrace, by Edoardo Dalbono (1841-1915), oil on panel, 45x30 cm. Detail.
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Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the second version, 1865, by Domenico Morelli (1826-1901), oil...
Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the second version, 1865, by Domenico Morelli (1826-1901), oil on canvas, 185x266 cm.
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View of Palermo from the Ospizio Marino (hospital), Francesco Lojacono (1841-1915).
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Sunrise in the morning, by Norberto Pazzini (1856-1937).
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St Mark's Square, 1882, by Filippo Carcano (1840-1914), oil on canvas.
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Chalets in the Snow, by Giovanni Segantini (1858-1899).
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Portrait of Teresa Tambroni Cuty, ca 1815, by Pelagio Palagi (1775-1860), oil on canvas, 68x51 cm.
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Roman countryside, by Achille Vertunni (1826-1897).
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The old fish market in Venice, 1887, by Ettore Tito (1859-1941), oil on canvas, 131x200 cm. Detail.
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Word of God, by Mose Bianchi (1840-1904).
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The heir, by Teofilo Patini (1840-1906).
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Roofs under the sun, ca 1861, by Raffaello Sernesi (1838-1866).
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The terrace, by Edoardo Dalbono (1841-1915), oil on panel, 45x30 cm. Detail.
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The terrace, by Edoardo Dalbono (1841-1915), oil on panel, 45x30 cm. Detail.
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Alpine landscape with a white cow, Beppe Ciardi (1875-1932).
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Internal study, by Telemaco Signorini (1835-1901).
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The fall of the angels, triptych side panel, 1913, by Gaetano Previati (1852-1920), oil on canvas, 230x135 cm.
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The funeral of St Lawrence, preparatory sketch for the fresco in the Basilica of San Lorenzo fuori le mura, 1868, by Francesc...
The funeral of St Lawrence, preparatory sketch for the fresco in the Basilica of San Lorenzo fuori le mura, 1868, by Francesco Grandi (1831-1891).
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Florence ghetto, 1882, by Telemaco Signorini (1835-1901).
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Bersagliere, by Michele Cammarano (1835-1920).
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St Catherine of Siena, 1888, by Alessandro Franchi (1838-1914).
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The repentance of Judas, by Domenico Morelli (1826-1901), illustration from the Amsterdam Bible, artistic edition, 1895.
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The interrupted game, 1868, by Adriano Cecioni (1836-1886). Oil on canvas, 50.5 cmx32.
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The banks of the Seine, by Federico Rossano (1835-1912).
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The Castalidi, 1905, by Adolfo De Carolis (1874-1928).
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Moon on the tables in a tavern (Moonlight), by Mario De Maria (1852-1924).
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Orchids, by Enrico Coleman (1846-1911), watercolor.
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Idillius, by Giuseppe Raggio (1823-1916).
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Return from Mentana, by Onorato Carlandi (1848-1939). Unification era, Italy, 19th century.
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Francesco I in Benvenuto Cellini's studio, 1837, by Francesco Podesti (1800-1895), oil on canvas.
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Pygmalion and Galatea, 1896, by Giulio Bargellini (1875-1936), oil on canvas, 90x130 cm.
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The terrace, by Edoardo Dalbono (1841-1915), oil on panel, 45x30 cm. Detail.
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The Triclinium after the Orgy, about 1860, by Domenico Morelli (1826-1901), oil on canvas.
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Portrait of Luisa Ruggeri, by Domenico Morelli (1823-1901).
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Italy, Lazio, Rome, Galleria Nazionale d'Arte Moderna, National Gallery of Modern Art
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The body of Mary of Egypt found by angels, 1875, by Domenico Morelli (1826-1901), oil on canvas.
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Capri, 1866, by Guglielmo Ciardi (1842-1917).
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Romance in the convent, 1888, by Gioacchino Toma (1836-1891), oil on canvas, 72x94 cm.
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Marriage and presentation of the Virgin Mary at the Temple, 1857-1860, by Francesco Coghetti (1804-1875), oil on canvas, 45x6...
Marriage and presentation of the Virgin Mary at the Temple, 1857-1860, by Francesco Coghetti (1804-1875), oil on canvas, 45x65 cm.
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Portrait of Mrs. Theresa Oneto Maglione, 1879, by Domenico Morelli (1826-1901), oil on canvas.
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At the Mugnone River, by Odoardo Borrani (1834-1905).
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Diana of Ephesus and the Slaves, 1895-1899, by Giulio Aristide Sartorio (1860-1932), oil on canvas, 304x421 cm.
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Spasm, 1901, by Gaetano Previati (1852-1920), oil on canvas.
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Horse racing in Bois de Boulogne, 1881, by Giuseppe De Nittis (1846-1884). Detail from the left panel.
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The terrace, by Edoardo Dalbono (1841-1915), oil on panel, 45x30 cm.
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The whistle of steam, by Adolfo Tommasi (1851-1933).
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Lady with a collar or the portrait of Hanka Zborowska, 1917, by Amedeo Modigliani (1884-1920), oil on canvas, 55x38 cm.
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Dreams, 1896, by Vittorio Matteo Corcos (1859-1933), oil on canvas, 190x165 cm.
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Scene of Pompeii life on the Tiber, by Francesco Coleman (1851-1918).
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Triptych, horse racing at the Bois de Boulogne, 1881, by Giuseppe De Nittis (1846-1884). The central panel.
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A virgin being sacrificed to the Nile, by Frederick Faruffini (1833-1869), 1865, oil on canvas.
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Marco Polo in front of the Great Khan of the Tartars, ca 1863, by Tranquillo Cremona (1837-1878).
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The Temptation of St Anthony, 1878, by Domenico Morelli (1826-1901), oil on canvas, 138x225 cm.
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Sad journey, by Raffaele Faccioli (1845-1916).
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The Battle of Dogali, by Michele Cammarano (1835-1920).
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October morning, by Antonio Fontanesi (1818-1882).
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Trajan's Column in Rome, by Luigi Bazzani (1836-1927). Oil on canvas 70,5x103 cm.
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Golden harvest, 1883, by Guglierimo Ciardi (1842-1917).
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Lovers' silence, 1873, by Tranquillo Cremona (1837-1878), oil on canvas.
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Solferino's position, by Carlo Ademollo (1824-1911).
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The potters, 1873, by Filippo Palizzi (1818-1899).
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Near Vesuvius, by Francesco Lojacono (1841-1915), oil on canvas, 58x96 cm.
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Monte alle Croci, by Silvestro Lega (1826-1895).
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Flowers and butterflies, by Gaetano Previati (1852-1920), oil on canvas.
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The Battle of Custoza, 1880, by Giovanni Fattori (1825-1908), oil on canvas, 297x546 cm.
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The sacrifice of a virgin to the Nile, 1865, by Federico Faruffini (1831-1869), oil on canvas, 125x243 cm.
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Portrait of Mademoiselle Lanthelme, 1907, by Giovanni Boldini (1842-1931), oil on canvas, 227x118 cm.
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Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the first version, 1865, by Domenico Morelli (1826-1901), oil ...
Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the first version, 1865, by Domenico Morelli (1826-1901), oil on canvas, 185x266 cm. Detail.
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To be or not to be: who loves not is not, ca 1880, Giovanni, known as Nino Costa (1826-1903).
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Funeral of a virgin, by Gaetano Previati (1852-1920). Detail of the central part.
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The lesson, 1874, by Ferdinando Buonamici (1820-1892), oil on panel, 16x23 cm.
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Pink lilies, 1897-1899, by Claude Monet (1840-1926), oil on canvas, 81x100 cm.
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Women washing in the river, by Filippo Palizzi (1818-1899).
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Mountain landscape with cows grazing in the upper area of Biella, by Lorenzo Delleani (1840-1908).
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At Liston, 1884, by Giacomo Favretto (1849-1887), oil on canvas, 81x155 cm.
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The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm. Detia...
The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm. Detial.
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The butcher, 1881, by Lorenzo Delleani (1840-1908).
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Sicilian Vespers, the bride of Ruggiero Mastrangelo from Palermo insulted by the French Droetto is avenged with the death of ...
Sicilian Vespers, the bride of Ruggiero Mastrangelo from Palermo insulted by the French Droetto is avenged with the death of this, 1846, by Francesco Hayez (1791-1882), oil on canvas, 225x300 cm.
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The Centaurs, 1895, by Enrico Coleman (1846-1911).
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Daddy Returns, by Egisto Ferroni (1835-1912).
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Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the second version, 1865, by Domenico Morelli (1826-1901), oil...
Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the second version, 1865, by Domenico Morelli (1826-1901), oil on canvas, 38 x 47.5 cm. Detail.
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Birch trees in the Adige valley, by Alberto Bonomi (1876-1919).
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Group of workers, study for the fourth state, ca 1898, by Giuseppe Pellizza da Volpedo (1868-1907), pencil and charcoal on pa...
Group of workers, study for the fourth state, ca 1898, by Giuseppe Pellizza da Volpedo (1868-1907), pencil and charcoal on paper, 141x200 cm.
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Luisa Sanfelice in prison, 1874, by Gioacchino Toma (1836-1891), oil on canvas, 63x79 cm. Bourbon restoration, Italy, 19th ce...
Luisa Sanfelice in prison, 1874, by Gioacchino Toma (1836-1891), oil on canvas, 63x79 cm. Bourbon restoration, Italy, 19th century.
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Interior with figure, 1866, by Giovanni Boldini (1842-1931).
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Defending a castle, by Massimo d'Azeglio (1798-1866).
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Horse racing in Bois de Boulogne, 1881, by Giuseppe De Nittis (1846-1884). Detail from the right panel.
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Landscape, by Serafino de Tivoli (1826-1892).
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Glory, detail from a triptych, 1901, by Giuseppe Mentessi (1857-1931), pastel on canvas.
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The creation of light, 1913, by Gaetano Previati (1852-1920), oil on canvas, 199x215 cm.
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Portrait of Virginia Villari, by Domenico Morelli (1826-1901).
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At the pole, ca 1886, by Giovanni Segantini (1858-1899), oil on canvas, 170x389 cm.
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Portrait of Costanza Perticari Monti, 1821, by Filippo Agricola (1795-1857).
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The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm.
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Coal Boats in Chioggia, by Mose Bianchi (1840-1904).
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The Pompeian, 1871, by Federico Maldarelli (1826-1893), oil on canvas.
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Garibaldini (Garibaldi volunteers) the day before the battle, Filippo Palizzi (1818-1899).
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At the pole, ca 1886, by Giovanni Segantini (1858-1899), oil on canvas, 170x389 cm.
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Two cousins, 1870, by Tranquillo Cremona (1837-1878), oil on canvas, 86x65 cm.
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A road in Ravenna (suburb of Porta Adriana), 1875, by Telemaco Signorini (1835-1901).
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Ettore Fieramosca, 1856, by Filippo Palizzi (1818-1899).
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Funeral of a virgin, by Gaetano Previati (1852-1920). Detail of the right side.
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The olive grove, by Augusto Corelli (1853-1910).
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The Triumph of Venus, 1833, Francis Podesti (1800-1895). Detail.
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Spring, by Augusto Corelli (1853-1910).
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Interior with figure, ca 1868, by Adriano Cecioni (1836-1886), oil on canvas.
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Meadow with flowers, 1900-1903, by Giuseppe Pelizza da Volpedo (1868-1907), oil on canvas, 88x88 cm.
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Inside one of the barns, 1854, by Filippo Palizzi (1818-1899), oil on canvas, 36.5x49.5 cm.
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The cemetery of Pisa, 1864, by Giuseppe Abbati (1836-1868), oil on canvas, 41x62 cm.
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Violette, 1913, by Enrico della Leonessa (1865-1921), oil on canvas, 116x79 cm.
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Portrait of Gaetano dell'Acqua, by Nicola Consoni (1814-1884).
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The apparition of the Virgin to St Francis of Assisi and Bonaventure, by Luigi Serra (1846-1888).
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Portrait of his first wife, 1864, by Giovanni Fattori (1825-1908), oil on canvas, 83x70 cm.
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In the study, by Antonio Mancini (1852-1930), oil on canvas.
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Landscape in Grez, 1859-63, Filippo Palizzi (1818-1899), oil on canvas, 13x37 cm.
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Poachers in the snow, 1867, by Gustave Courbet (1819-1877).
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Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the first version, 1865, by Domenico Morelli (1826-1901), oil ...
Torquato Tasso reading Liberated Jerusalem to Eleonora d'Este, the first version, 1865, by Domenico Morelli (1826-1901), oil on canvas, 185x266 cm. Detail.
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Autumn, by Traiano Chitarin (1864-1935).
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The pumping machine, 1863, by Silvestro Lega (1826-1895), oil on canvas, 44.5x78.2 cm
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Centaur Chiron attempting freedom, by Francesco Saverio Altamura (1826-1897).
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Italy, Lazio, Rome, Galleria Nazionale d'Arte Moderna, National Gallery of Modern Art
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Viaticum, by Angelo Morbelli (1854-1919), oil on canvas, 112x200 cm.
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Colonial house in Sorrento, 1859, by Filippo Palizzi (1818-1899).
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The Temptation of St Anthony, 1878, by Domenico Morelli (1826-1901), oil on canvas, 138x225 cm. Detail.
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Reclining Nude, 1918, by Amedeo Modigliani (1884-1920), oil on canvas, 76x116 cm.
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The fall of the angels, triptych, 1913, by Gaetano Previati (1852-1920), oil on canvas, 230x260 cm middle panel, 230x135 cm s...
The fall of the angels, triptych, 1913, by Gaetano Previati (1852-1920), oil on canvas, 230x260 cm middle panel, 230x135 cm side panels.
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The Gorgoniensi Martyrs, by Michele Cammarano (1835-1920).
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Woman in Latium costume, 1840, by Filippo Palizzi (1818-1899).
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The wise virgins and the foolish virgins, 1890-1891, by Giulio Aristide Sartorio (1860-1932), triptych, oil on canvas, 188x20...
The wise virgins and the foolish virgins, 1890-1891, by Giulio Aristide Sartorio (1860-1932), triptych, oil on canvas, 188x205 cm. Detail.
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The visit, by Silvestro Lega (1826-1895). Detail.
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Pan the God, 1886, by Alessandro Castelli (1809-1902) oil on canvas.
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Portrait of the bride, by Pietro Saltini (1839-1908).
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In the Temple of Bacchus, 1881, by Giovanni Muzzioli (1854-1894), oil on canvas, 93.3 x158 cm.
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The wise virgins and the foolish virgins, 1890-1891, by Giulio Aristide Sartorio (1860-1932), triptych, oil on canvas, 188x20...
The wise virgins and the foolish virgins, 1890-1891, by Giulio Aristide Sartorio (1860-1932), triptych, oil on canvas, 188x205 cm. Detail.
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A sky, by Napoleone Parisani (1854-1932).
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Saint Stephen picked up by pious men after being stoned , 1853, by Bernardo Celentano (1835-1863).
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Woman with umbrella, by Vito d'Ancona (1825-1884).
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Portrait of Bernardo Celentano, 1859, by Domenico Morelli (1826-1901), oil on canvas, 67x52 cm.

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