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Stock Photos - BRITISH ART ON PAPER (556 results)

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Stock Photo #1575-9224, Overview of Harmac Pacific Pulp & Paper Mill, Nanaimo, British Columbia, Canada
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Overview of Harmac Pacific Pulp & Paper Mill, Nanaimo, British Columbia, Canada
Stock Photo #866-15682, Study for the Hungry Birds. William Patrick Roberts (1896-1980). Watercolour and pencil on squared paper. 16 3/4 x 9 1/4in
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Study for the Hungry Birds. William Patrick Roberts (1896-1980). Watercolour and pencil on squared paper. 16 3/4 x 9 1/4in
Stock Photo #1661-249, Reading a Poem Lawrence Alma-Tadema (1836-1912 Dutch) Private Collection
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Reading a Poem Lawrence Alma-Tadema (1836-1912 Dutch) Private Collection
Stock Photo #866-13292, A Hawk-Headed Parrot. David Morrison Reid Henry (1919-1977). Pencil, watercolour and bodycolour. 36.9 x 26.6cm.
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A Hawk-Headed Parrot. David Morrison Reid Henry (1919-1977). Pencil, watercolour and bodycolour. 36.9 x 26.6cm.
Stock Photo #866-17796, The Young Angler. William Henry Hunt (1790-1864). Pencil and watercolour. 35.6 x 22.8cm.
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The Young Angler. William Henry Hunt (1790-1864). Pencil and watercolour. 35.6 x 22.8cm.
Stock Photo #866-13301, The Rake's Progress (Stravinsky), 1975: Cover Design for the Programme. David Hockney (Born 1937). Coloured felt-tip pen, collage. 39.3 x 58.4cm.
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The Rake's Progress (Stravinsky), 1975: Cover Design for the Programme. David Hockney (Born 1937). Coloured felt-tip pen, col...
The Rake's Progress (Stravinsky), 1975: Cover Design for the Programme. David Hockney (Born 1937). Coloured felt-tip pen, collage. 39.3 x 58.4cm.
Stock Photo #866-13288, A Golden-Fronted Fruit Sucker. David Morrison Reid Henry (1919-1977). Watercolour and bodycolour. 27.9 x 19.4cm.
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A Golden-Fronted Fruit Sucker. David Morrison Reid Henry (1919-1977). Watercolour and bodycolour. 27.9 x 19.4cm.
Stock Photo #866-10295, A View of Paris from St. Cloud. Thomas Shotter Boys (1803-1874). Watercolour with touches of white heightening, and gum arabic. Signed and dated 1830. 42.8 x 59cm.
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A View of Paris from St. Cloud. Thomas Shotter Boys (1803-1874). Watercolour with touches of white heightening, and gum arabi...
A View of Paris from St. Cloud. Thomas Shotter Boys (1803-1874). Watercolour with touches of white heightening, and gum arabic. Signed and dated 1830. 42.8 x 59cm.
Stock Photo #866-17847, Edinburgh from Arthur's Seat. Hugh William Williams (1773-1829). Pencil and watercolour. 43.1 x 61.6cm.
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Edinburgh from Arthur's Seat. Hugh William Williams (1773-1829). Pencil and watercolour. 43.1 x 61.6cm.
Stock Photo #866-7842, On the Nile, Egypt. William Clarkson Stanfield, R.A. (1793-1867). Dated 1846, Pencil and watercolour heightened with white, 222 x 368mm.
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On the Nile, Egypt. William Clarkson Stanfield, R.A. (1793-1867). Dated 1846, Pencil and watercolour heightened with white, 2...
On the Nile, Egypt. William Clarkson Stanfield, R.A. (1793-1867). Dated 1846, Pencil and watercolour heightened with white, 222 x 368mm.
Stock Photo #866-10333, A Ferry at Sunset. Myles Birket Foster (1825-1899). Watercolour with touches of white heightening. 18.7 x 25.7cm.
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A Ferry at Sunset. Myles Birket Foster (1825-1899). Watercolour with touches of white heightening. 18.7 x 25.7cm.
Stock Photo #866-10137, Portrait of Harriet Wright, the Artist's Daughter, as a Child, Bust Length, Looking Over Her Right Shoulder. Joseph Wright of Derby (1734-1797). Pastel. 41.9 x 33.3cm.
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Portrait of Harriet Wright, the Artist's Daughter, as a Child, Bust Length, Looking Over Her Right Shoulder. Joseph Wright of...
Portrait of Harriet Wright, the Artist's Daughter, as a Child, Bust Length, Looking Over Her Right Shoulder. Joseph Wright of Derby (1734-1797). Pastel. 41.9 x 33.3cm.
Stock Photo #866-13296, The Jewel Box. Carlton Alfred Smith (1853-1946). Pencil and watercolour. Signed and dated 1897. 48.9 x 34.7cm.
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The Jewel Box. Carlton Alfred Smith (1853-1946). Pencil and watercolour. Signed and dated 1897. 48.9 x 34.7cm.
Stock Photo #866-10281, An Arab Wedding Procession Through Cairo. James Shaw Crompton (1853-1916). Watercolour and bodycolour. 74.9 x 57.1cm.
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An Arab Wedding Procession Through Cairo. James Shaw Crompton (1853-1916). Watercolour and bodycolour. 74.9 x 57.1cm.
Stock Photo #866-10141, Portrait of Mrs. Boyd. John Downman (1750-1824). Black chalk, stump and watercolour. Dated 1784. 19.3 x 15.9cm.
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Portrait of Mrs. Boyd. John Downman (1750-1824). Black chalk, stump and watercolour. Dated 1784. 19.3 x 15.9cm.
Stock Photo #866-17800, Figures Approaching the City of Athens, Greece. English School, circa 1800. Pencil, pen and ink and watercolour. 41.3 x 66.1cm.
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Figures Approaching the City of Athens, Greece. English School, circa 1800. Pencil, pen and ink and watercolour. 41.3 x 66.1c...
Figures Approaching the City of Athens, Greece. English School, circa 1800. Pencil, pen and ink and watercolour. 41.3 x 66.1cm.
Stock Photo #866-7847, A Little Ringed Plover. Archibald Thorburn (1860-1935). Watercolour heightened with white vignette, 6 7/8 x 9 3/4in.
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A Little Ringed Plover. Archibald Thorburn (1860-1935). Watercolour heightened with white vignette, 6 7/8 x 9 3/4in.
Stock Photo #866-10176, Portrait of King George III, Small Half Length, Wearing Windsor Uniform and Ribbon and Star of the Garter. John Downman (1750-1824). Pencil, watercolour and stump with touches of white heightening. Signed and dated 1787. 21.6 x 17.5cm.
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Portrait of King George III, Small Half Length, Wearing Windsor Uniform and Ribbon and Star of the Garter. John Downman (1750...
Portrait of King George III, Small Half Length, Wearing Windsor Uniform and Ribbon and Star of the Garter. John Downman (1750-1824). Pencil, watercolour and stump with touches of white heightening. Signed and dated 1787. 21.6 x 17.5cm.
Stock Photo #1601-125, England: Pulteney Bridge, Bath, 1989, Richard H. Fox (b.1960/American), Watercolor on Paper
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England: Pulteney Bridge, Bath, 1989, Richard H. Fox (b.1960/American), Watercolor on Paper
Stock Photo #1746-3401, Mr. Pickwick slides, illustration by 'Phiz' (Hablot Knight Browne), 1815-1882, for Charles Dickens 'Posthumous Papers of the Pickwick Club', 19th century
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Mr. Pickwick slides, illustration by 'Phiz' (Hablot Knight Browne), 1815-1882, for Charles Dickens 'Posthumous Papers of the ...
Mr. Pickwick slides, illustration by 'Phiz' (Hablot Knight Browne), 1815-1882, for Charles Dickens 'Posthumous Papers of the Pickwick Club', 19th century
Stock Photo #866-8391, The Spoilt Child. Carlton Alfred Smith (1853-1946). Dated 1899, pencil and watercolour, 390 x 280mm.
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The Spoilt Child. Carlton Alfred Smith (1853-1946). Dated 1899, pencil and watercolour, 390 x 280mm.
Stock Photo #866-17745, A Room in an Ancient Mansion. William Henry Lake Price (1810-1891). Pen and brown ink and watercolour. 46.4 x 61.3cm.
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A Room in an Ancient Mansion. William Henry Lake Price (1810-1891). Pen and brown ink and watercolour. 46.4 x 61.3cm.
Stock Photo #866-10256, A Regatta on the Thames below Westminster. Thomas Rowlandson (1756-1827). Pen and ink and watercolour. 12 1/8 x 19in.
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A Regatta on the Thames below Westminster. Thomas Rowlandson (1756-1827). Pen and ink and watercolour. 12 1/8 x 19in.
Stock Photo #866-7850, A Wood Pigeon or Ring Dove. Archibald Thorburn (1860-1935). Pencil and watercolour with touches of white heightening, 8 3/4 x 6 5/8in.
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A Wood Pigeon or Ring Dove. Archibald Thorburn (1860-1935). Pencil and watercolour with touches of white heightening, 8 3/4 x...
A Wood Pigeon or Ring Dove. Archibald Thorburn (1860-1935). Pencil and watercolour with touches of white heightening, 8 3/4 x 6 5/8in.
Stock Photo #866-10219, A View of Eton College from the Thames. Paul Sandby (1725-1809). Pencil, pen and grey ink and watercolour. Dated 1779. 31.2 x 48.5cm.
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A View of Eton College from the Thames. Paul Sandby (1725-1809). Pencil, pen and grey ink and watercolour. Dated 1779. 31.2 x...
A View of Eton College from the Thames. Paul Sandby (1725-1809). Pencil, pen and grey ink and watercolour. Dated 1779. 31.2 x 48.5cm.
Stock Photo #4282-16477, England, Devon, Plymouth Hoe. Solitary wire sculptured figure sat in front of a big wheel on Plymouth Hoe.
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England, Devon, Plymouth Hoe. Solitary wire sculptured figure sat in front of a big wheel on Plymouth Hoe.
Stock Photo #866-10188, The Game of Draughts. Henry Spernon Tozer (c.1870-1940). Pencil and watercolour. Signed and dated 1918. 20.3 x 27.9cm.
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The Game of Draughts. Henry Spernon Tozer (c.1870-1940). Pencil and watercolour. Signed and dated 1918. 20.3 x 27.9cm.
Stock Photo #866-10209, Dieppe. David Roberts (1796-1864). Pencil, pen and brown ink and watercolour heightened with white, on grey paper. Dated August 1828. 22.9 x 30.7cm.
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Dieppe. David Roberts (1796-1864). Pencil, pen and brown ink and watercolour heightened with white, on grey paper. Dated Augu...
Dieppe. David Roberts (1796-1864). Pencil, pen and brown ink and watercolour heightened with white, on grey paper. Dated August 1828. 22.9 x 30.7cm.
Stock Photo #866-7654, Temminck's Tragopan (Ceriornis Temminckii). Henry Constantine Richter (1821-1902). Pencil and watercolour heightened with bodycolour and gum arabic, 370 x 545mm.
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Temminck's Tragopan (Ceriornis Temminckii). Henry Constantine Richter (1821-1902). Pencil and watercolour heightened with bod...
Temminck's Tragopan (Ceriornis Temminckii). Henry Constantine Richter (1821-1902). Pencil and watercolour heightened with bodycolour and gum arabic, 370 x 545mm.
Stock Photo #866-17797, A Rocky Coastline at Padstow, Cornwall. Henry Bright (1814-1873). Pastel. 60.3 x 107.4cm.
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A Rocky Coastline at Padstow, Cornwall. Henry Bright (1814-1873). Pastel. 60.3 x 107.4cm.
Stock Photo #866-17776, Study of Mrs Mercier seated in a Chair, and her youngest son, Henry Mercier standing behind her. Paul Sandby (1725-1809). Pencil, black and red chalk with grey wash. 17.2 x 14.3cm.
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Study of Mrs Mercier seated in a Chair, and her youngest son, Henry Mercier standing behind her. Paul Sandby (1725-1809). Pen...
Study of Mrs Mercier seated in a Chair, and her youngest son, Henry Mercier standing behind her. Paul Sandby (1725-1809). Pencil, black and red chalk with grey wash. 17.2 x 14.3cm.
Stock Photo #866-5527, Untitled (from War Child) 1995 Damien Hirst (b.1965 British) Acrylic on paper
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Untitled (from War Child) 1995 Damien Hirst (b.1965 British) Acrylic on paper
Stock Photo #866-10363, London Bridge Prior to Completion in 1831. George Belton Moore (1805-1875). Pen and brown ink and watercolour heightened with white. 35.6 x 55.9cm.
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London Bridge Prior to Completion in 1831. George Belton Moore (1805-1875). Pen and brown ink and watercolour heightened with...
London Bridge Prior to Completion in 1831. George Belton Moore (1805-1875). Pen and brown ink and watercolour heightened with white. 35.6 x 55.9cm.
Stock Photo #866-5803, Study For The Last Evening. James Jacques Joseph Tissot (1836-1902). Pencil, Watercolour And Bodycolour, On Buff Paper.
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Study For The Last Evening. James Jacques Joseph Tissot (1836-1902). Pencil, Watercolour And Bodycolour, On Buff Paper.
Stock Photo #1746-2748, Whitby, 1824, Joseph Mallord William Turner, (1775-1851/British), Watercolor on paper
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Whitby, 1824, Joseph Mallord William Turner, (1775-1851/British), Watercolor on paper
Stock Photo #866-10148, The Jama Masjid, Delhi. William Daniell (1769-1837). Pencil and watercolour. 47.3 x 75.3cm.
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The Jama Masjid, Delhi. William Daniell (1769-1837). Pencil and watercolour. 47.3 x 75.3cm.
Stock Photo #866-10366, An Illustration to Rip van Winkle: 'They Were Ruled by an Old Squaw Spirit...'. Arthur Rackham (1867-1939). Pen and black ink and watercolour on card. Signed and dated 1904. 35.5 x 26.6cm.
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An Illustration to Rip van Winkle: 'They Were Ruled by an Old Squaw Spirit...'. Arthur Rackham (1867-1939). Pen and black ink...
An Illustration to Rip van Winkle: 'They Were Ruled by an Old Squaw Spirit...'. Arthur Rackham (1867-1939). Pen and black ink and watercolour on card. Signed and dated 1904. 35.5 x 26.6cm.
Stock Photo #866-7862, An Illustration to 'English Fairy Tales': Tattercoats Dancing while the Gooseherd Pipes. Arthur Rackham (1867-1939). Pen and black ink and watercolour on card, 10 1/2 x 7 1/4.
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An Illustration to 'English Fairy Tales': Tattercoats Dancing while the Gooseherd Pipes. Arthur Rackham (1867-1939). Pen and ...
An Illustration to 'English Fairy Tales': Tattercoats Dancing while the Gooseherd Pipes. Arthur Rackham (1867-1939). Pen and black ink and watercolour on card, 10 1/2 x 7 1/4.
Stock Photo #866-10231, The Man Mundil or Hindoo Observatory. James Prinsep (1799-1840). Pencil and watercolour. Dated 1 July 1829. 17.5 x 26.4cm.
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The Man Mundil or Hindoo Observatory. James Prinsep (1799-1840). Pencil and watercolour. Dated 1 July 1829. 17.5 x 26.4cm.
Stock Photo #866-17836, A Woman Reading at a Window. Robert Panitzsch (1879-1949). Oil on canvas. Dated 1933. 50.8 x 61cm
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A Woman Reading at a Window. Robert Panitzsch (1879-1949). Oil on canvas. Dated 1933. 50.8 x 61cm
Stock Photo #866-7677, Ragusa On The Adriatic. Thomas Miles Richardson, Jun. R.S.A. (1813-1890). Dated 1867, Pencil, Pen And Ink And Watercolour Heightened With White, 29 3/4 X 25 3/4in.
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Ragusa On The Adriatic. Thomas Miles Richardson, Jun. R.S.A. (1813-1890). Dated 1867, Pencil, Pen And Ink And Watercolour Hei...
Ragusa On The Adriatic. Thomas Miles Richardson, Jun. R.S.A. (1813-1890). Dated 1867, Pencil, Pen And Ink And Watercolour Heightened With White, 29 3/4 X 25 3/4in.
Stock Photo #866-10383, Women in the Fish Market, Boulogne (?). Hector Caffieri (1847-1932). Pencil and watercolour heightened with white. 60.9 x 44.4cm.
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Women in the Fish Market, Boulogne (?). Hector Caffieri (1847-1932). Pencil and watercolour heightened with white. 60.9 x 44....
Women in the Fish Market, Boulogne (?). Hector Caffieri (1847-1932). Pencil and watercolour heightened with white. 60.9 x 44.4cm.
Stock Photo #866-8306, A Common Pratincole. Archibald Thorburn (1860-1935). Watercolour, 16.5 x 24.1cm.
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A Common Pratincole. Archibald Thorburn (1860-1935). Watercolour, 16.5 x 24.1cm.
Stock Photo #866-17811, Palma Americana. Georg Dionysius Ehret (1710-1770). Pencil and watercolour with bodycolour. 53.1 x 36.6cm.
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Palma Americana. Georg Dionysius Ehret (1710-1770). Pencil and watercolour with bodycolour. 53.1 x 36.6cm.
Stock Photo #866-10262, Portrait of a Girl, Bust Length, in a Red Cape Tied with a Bow and a Black Bonnet. John Russell (1745-1806). Pastel, laid on canvas. 30.5 x 40.6cm.
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Portrait of a Girl, Bust Length, in a Red Cape Tied with a Bow and a Black Bonnet. John Russell (1745-1806). Pastel, laid on ...
Portrait of a Girl, Bust Length, in a Red Cape Tied with a Bow and a Black Bonnet. John Russell (1745-1806). Pastel, laid on canvas. 30.5 x 40.6cm.
Stock Photo #866-8527, Cheyne Walk, Chelsea, London. John Varley (1778-1842). Pencil & Watercolour. Signed and dated 1816. 28.5 x 39.1cm.
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Cheyne Walk, Chelsea, London. John Varley (1778-1842). Pencil & Watercolour. Signed and dated 1816. 28.5 x 39.1cm.
Stock Photo #866-10386, Gathering Pumpkins. Hector Caffieri (1847-1932). Watercolour and bodycolour. 34.5 x 51.1cm.
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Gathering Pumpkins. Hector Caffieri (1847-1932). Watercolour and bodycolour. 34.5 x 51.1cm.
Stock Photo #866-10229, The Ponte Vecchio, Florence. William Callow (1812-1908). Pencil, watercolour and bodycolour. Dated 1877. 28 x 50.5cm.
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The Ponte Vecchio, Florence. William Callow (1812-1908). Pencil, watercolour and bodycolour. Dated 1877. 28 x 50.5cm.
Stock Photo #866-17787, Portrait of His Excellency Hamet Ben Hamet Ben Hadii, Ambassador Extraordinary from the Empire of Morocco. Susan Penelope Rosse (1652-1700). Pencil and bodycolour. Painted in 1682. 21.6 x 17.4cm.
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Portrait of His Excellency Hamet Ben Hamet Ben Hadii, Ambassador Extraordinary from the Empire of Morocco. Susan Penelope Ros...
Portrait of His Excellency Hamet Ben Hamet Ben Hadii, Ambassador Extraordinary from the Empire of Morocco. Susan Penelope Rosse (1652-1700). Pencil and bodycolour. Painted in 1682. 21.6 x 17.4cm.
Stock Photo #866-10204, Durham Cathedral and Castle from the River Wear. Francis Towne (1740-1816). Pencil, pen and grey ink and watercolour on two joined sheets. Dated August 8th 1811. 17.2 x 50.8cm.
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Durham Cathedral and Castle from the River Wear. Francis Towne (1740-1816). Pencil, pen and grey ink and watercolour on two j...
Durham Cathedral and Castle from the River Wear. Francis Towne (1740-1816). Pencil, pen and grey ink and watercolour on two joined sheets. Dated August 8th 1811. 17.2 x 50.8cm.
Stock Photo #866-17793, Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock. Edmund Ashfield (ca. 1669- ca. 1700). Coloured chalks and bodycolour on buff paper. 28 x 21.5cm.
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Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock. Edmund Ashfield (ca. 1669- ca. 1700). Coloured chal...
Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock. Edmund Ashfield (ca. 1669- ca. 1700). Coloured chalks and bodycolour on buff paper. 28 x 21.5cm.
Stock Photo #866-10172, Scaup Duck (Anas Marila). Reverend Christopher Atkinson (1754-1795). Pencil and watercolour heightened with gum arabic. 25.6 x 22.6cm.
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Scaup Duck (Anas Marila). Reverend Christopher Atkinson (1754-1795). Pencil and watercolour heightened with gum arabic. 25.6 ...
Scaup Duck (Anas Marila). Reverend Christopher Atkinson (1754-1795). Pencil and watercolour heightened with gum arabic. 25.6 x 22.6cm.
Stock Photo #866-10382, A Street in London. Rose Barton (1865-1929). Pencil and watercolour heightened with white. 16.5 x 10.7cm.
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A Street in London. Rose Barton (1865-1929). Pencil and watercolour heightened with white. 16.5 x 10.7cm.
Stock Photo #866-10153, Competition Design for the Royal Exchange, Dublin. Thomas Sandby (1723-1798). Pen and grey ink and watercolour. 24.4 x 49.5cm.
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Competition Design for the Royal Exchange, Dublin. Thomas Sandby (1723-1798). Pen and grey ink and watercolour. 24.4 x 49.5cm...
Competition Design for the Royal Exchange, Dublin. Thomas Sandby (1723-1798). Pen and grey ink and watercolour. 24.4 x 49.5cm.
Stock Photo #866-10151, A Set of Twelve Illustrations to Tristram Shandy. John Nixon (ca. 1750-1818). Pen and grey ink and watercolour. 18.4 x 9.2cm.
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A Set of Twelve Illustrations to Tristram Shandy. John Nixon (ca. 1750-1818). Pen and grey ink and watercolour. 18.4 x 9.2cm.
Stock Photo #866-10193, A Razorbill. Archibald Thorburn (1860-1935). Pencil and watercolour heightened with white. 22.5 x 15.3cm.
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A Razorbill. Archibald Thorburn (1860-1935). Pencil and watercolour heightened with white. 22.5 x 15.3cm.
Stock Photo #866-10279, A Lady Sketching in a Glade Under the Shade of a Parasol. Mildred Anne Butler (1858-1941). Watercolour heightened with white. 10 x 7in
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A Lady Sketching in a Glade Under the Shade of a Parasol. Mildred Anne Butler (1858-1941). Watercolour heightened with white....
A Lady Sketching in a Glade Under the Shade of a Parasol. Mildred Anne Butler (1858-1941). Watercolour heightened with white. 10 x 7in
Stock Photo #866-17777, Brighton, showing Miss Widgett's circulating Library, Marlborough House, the Castle Inn and Assembly Rooms and the Marine Pavilion. John Nixon (1760-1818). Pencil, pen and grey ink and watercolour. Signed and dated 1792. 40 x 55.3cm.
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Brighton, showing Miss Widgett's circulating Library, Marlborough House, the Castle Inn and Assembly Rooms and the Marine Pav...
Brighton, showing Miss Widgett's circulating Library, Marlborough House, the Castle Inn and Assembly Rooms and the Marine Pavilion. John Nixon (1760-1818). Pencil, pen and grey ink and watercolour. Signed and dated 1792. 40 x 55.3cm.
Stock Photo #866-17760, Lady Amherst's Pheasant. Henry Constantine Richter (1821-1902). Pencil and watercolour. 35.9 x 53.7cm.
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Lady Amherst's Pheasant. Henry Constantine Richter (1821-1902). Pencil and watercolour. 35.9 x 53.7cm.
Stock Photo #4266-4298, Men painting naked woman by Thomas Rowlandson, watercolor on paper, 1800-1810, 1756-1827, Russia, St. Petersburg, State Hermitage, 20, 3x29, 3
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Men painting naked woman by Thomas Rowlandson, watercolor on paper, 1800-1810, 1756-1827, Russia, St. Petersburg, State Hermi...
Men painting naked woman by Thomas Rowlandson, watercolor on paper, 1800-1810, 1756-1827, Russia, St. Petersburg, State Hermitage, 20, 3x29, 3
Stock Photo #866-17826, Temptation. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 38.1 x 32cm.
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Temptation. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 38.1 x 32cm.
Stock Photo #866-10298, Fishing Boats Off Yarmouth. John Sell Cotman (1782-1842). Pencil and watercolour. Signed and dated 1832. 36.1 x 53.9cm.
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Fishing Boats Off Yarmouth. John Sell Cotman (1782-1842). Pencil and watercolour. Signed and dated 1832. 36.1 x 53.9cm.
Stock Photo #866-17813, Musa. Georg Dionysius Ehret (1710-1770). Pencil and watercolour with bodycolour. 54.7 x 39.7cm.
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Musa. Georg Dionysius Ehret (1710-1770). Pencil and watercolour with bodycolour. 54.7 x 39.7cm.
Stock Photo #866-17792, The Butchers Stall, Leadenhall Market. Thomas Rowlandson (1756-1827). Pencil, pen and ink on mount. 22.9 x 29.5cm.
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The Butchers Stall, Leadenhall Market. Thomas Rowlandson (1756-1827). Pencil, pen and ink on mount. 22.9 x 29.5cm.
Stock Photo #866-10387, Two Ladies Sitting on a Chest by a Cairo Ware Tray and a Vase of Flowers. Hector Caffieri (1847-1932). Watercolour heightened with white. 52.7 x 74.8cm.
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Two Ladies Sitting on a Chest by a Cairo Ware Tray and a Vase of Flowers. Hector Caffieri (1847-1932). Watercolour heightened...
Two Ladies Sitting on a Chest by a Cairo Ware Tray and a Vase of Flowers. Hector Caffieri (1847-1932). Watercolour heightened with white. 52.7 x 74.8cm.
Stock Photo #866-17773, Design for the Library Ceiling at Woburn Abbey. Sir William Chambers (1723-1796). Pen and grey ink and watercolour. 69.7 x 47.1cm.
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Design for the Library Ceiling at Woburn Abbey. Sir William Chambers (1723-1796). Pen and grey ink and watercolour. 69.7 x 47...
Design for the Library Ceiling at Woburn Abbey. Sir William Chambers (1723-1796). Pen and grey ink and watercolour. 69.7 x 47.1cm.
Stock Photo #866-10364, The Lotus Eaters. Charles Joseph Staniland (1838-1916). Pencil and watercolour heightened with white. Signed and dated 1883. 74.9 x 121.9cm. An illustration to Tennyson's poem The Lotus-Eaters.
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The Lotus Eaters. Charles Joseph Staniland (1838-1916). Pencil and watercolour heightened with white. Signed and dated 1883. ...
The Lotus Eaters. Charles Joseph Staniland (1838-1916). Pencil and watercolour heightened with white. Signed and dated 1883. 74.9 x 121.9cm. An illustration to Tennyson's poem The Lotus-Eaters.
Stock Photo #866-10198, Walgate Bar, York. Louise Rayner (1832-1924). Pencil, watercolour and bodycolour. 42.5 x 65.4cm.
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Walgate Bar, York. Louise Rayner (1832-1924). Pencil, watercolour and bodycolour. 42.5 x 65.4cm.
Stock Photo #866-13309, Design for Bourne and Hollingsworth, now The Oxford Street Plaza; a Perspective View from Oxford Street. Philip Dalton Hepworth (1888-1963), to the Design of John Arthur Slater (1885-1963) and Arthur Hamilton Moberly (1885-1952). Pencil and watercolour heightened with bodycolour. 57.5 x 93.4cm.
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Design for Bourne and Hollingsworth, now The Oxford Street Plaza; a Perspective View from Oxford Street. Philip Dalton Hepwor...
Design for Bourne and Hollingsworth, now The Oxford Street Plaza; a Perspective View from Oxford Street. Philip Dalton Hepworth (1888-1963), to the Design of John Arthur Slater (1885-1963) and Arthur Hamilton Moberly (1885-1952). Pencil and watercolour heightened with bodycolour. 57.5 x 93.4cm.
Stock Photo #866-10285, Figures Outside an Elegant Country House. Thomas Malton II (1748-1804). Pencil, pen and grey ink, watercolour heightened with white. 33 x 48.2cm.
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Figures Outside an Elegant Country House. Thomas Malton II (1748-1804). Pencil, pen and grey ink, watercolour heightened with...
Figures Outside an Elegant Country House. Thomas Malton II (1748-1804). Pencil, pen and grey ink, watercolour heightened with white. 33 x 48.2cm.
Stock Photo #866-10138, Portrait of the Hon. William Napier, 1735, Aged Eight, three-quarter length, Wearing a Green Coat. George Knapton (1698-1778). Pastel on paper. 55.8 x 40.7cm.
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Portrait of the Hon. William Napier, 1735, Aged Eight, three-quarter length, Wearing a Green Coat. George Knapton (1698-1778)...
Portrait of the Hon. William Napier, 1735, Aged Eight, three-quarter length, Wearing a Green Coat. George Knapton (1698-1778). Pastel on paper. 55.8 x 40.7cm.
Stock Photo #866-10334, Children by a Thatched Cottage at Chiddingfold. Myles Birket Foster (1825-1899). Pencil, watercolour and bodycolour. 15.2 x 22.9cm.
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Children by a Thatched Cottage at Chiddingfold. Myles Birket Foster (1825-1899). Pencil, watercolour and bodycolour. 15.2 x 2...
Children by a Thatched Cottage at Chiddingfold. Myles Birket Foster (1825-1899). Pencil, watercolour and bodycolour. 15.2 x 22.9cm.
Stock Photo #866-6001, Palace And Gardens, Spain. John Singer Sargent R.A. (1856-1925). Pencil And Watercolour On Paper, 1912.
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Palace And Gardens, Spain. John Singer Sargent R.A. (1856-1925). Pencil And Watercolour On Paper, 1912.
Stock Photo #1801-84206, Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Close up detail of the paper moulded on car tyres,situated inside the Frieze art fair tent.
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Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Close up detail of the paper moulded on car ...
Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Close up detail of the paper moulded on car tyres,situated inside the Frieze art fair tent.
Stock Photo #4282-32019, England, Bristol, Bristol. Street art poster in Bristol city centre.
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England, Bristol, Bristol. Street art poster in Bristol city centre.
Stock Photo #4282-14574, A selection of classic British comics, The Dandy, Roy of the Rovers, Victor, Tiger and The Beano.
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A selection of classic British comics, The Dandy, Roy of the Rovers, Victor, Tiger and The Beano.
Stock Photo #866-10246, Ramsgate. Samuel Atkins (1787-1808). Pencil and watercolour. Dated 1805. 28.2 x 39.3cm.
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Ramsgate. Samuel Atkins (1787-1808). Pencil and watercolour. Dated 1805. 28.2 x 39.3cm.
Stock Photo #475-2480, Lady Macbeth 1850 Cattermole, George(1800-1868 British) Watercolor On Paper Victoria & Albert Museum, London, England
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Lady Macbeth 1850 Cattermole, George(1800-1868 British) Watercolor On Paper Victoria & Albert Museum, London, England
Stock Photo #866-7364, Maison de l'Amiral Coligny rue Bailleul Paris. Thomas Shotter Boys (1803-1908). 1831, pencil and watercolour heightened with bodycolour, 26.5 x 20.8cm.
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Maison de l'Amiral Coligny rue Bailleul Paris. Thomas Shotter Boys (1803-1908). 1831, pencil and watercolour heightened with ...
Maison de l'Amiral Coligny rue Bailleul Paris. Thomas Shotter Boys (1803-1908). 1831, pencil and watercolour heightened with bodycolour, 26.5 x 20.8cm.
Stock Photo #866-17833, A Kingfisher Perched among Irises. Philip Rickman (1891-1982). Pencil and watercolour on green paper. 40 x 55.5cm.
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A Kingfisher Perched among Irises. Philip Rickman (1891-1982). Pencil and watercolour on green paper. 40 x 55.5cm.
Stock Photo #866-7661, A Panorama of Baalbec. Frederick Catherwood (1799-1854). Pencil and watercolour, 10 7/8 x 14 3/4in.
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A Panorama of Baalbec. Frederick Catherwood (1799-1854). Pencil and watercolour, 10 7/8 x 14 3/4in.
Stock Photo #866-10260, Tanka Boats on the Shore. George Chinnery (1774-1852). Pen and brown ink, light brown and blue wash. 23.5 x 18.1cm.
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Tanka Boats on the Shore. George Chinnery (1774-1852). Pen and brown ink, light brown and blue wash. 23.5 x 18.1cm.
Stock Photo #866-10223, A View of London from Greenwich. James Pattison Cockburn (1779-1847). Pencil and watercolour. 33.3 x 51.2cm.
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A View of London from Greenwich. James Pattison Cockburn (1779-1847). Pencil and watercolour. 33.3 x 51.2cm.
Stock Photo #4266-8413, Saints Augustine, Ambrose and Jerome fighting with demons by Loyset Liedet, Watercolour, ink, gold colour on paper, 1420-1479, 15th century, British Library, 31x23
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Saints Augustine, Ambrose and Jerome fighting with demons by Loyset Liedet, Watercolour, ink, gold colour on paper, 1420-1479...
Saints Augustine, Ambrose and Jerome fighting with demons by Loyset Liedet, Watercolour, ink, gold colour on paper, 1420-1479, 15th century, British Library, 31x23
Stock Photo #866-10243, A Birdcatcher. Marcellus Laroon the Elder (1653-1702). Pencil, red and white chalk on buff paper. 31.6 x 20.3cm.
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A Birdcatcher. Marcellus Laroon the Elder (1653-1702). Pencil, red and white chalk on buff paper. 31.6 x 20.3cm.
Stock Photo #4187-35965, Writer Penelope Leach,Writer and child psychologist Penelope Leach at her desk.
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Writer Penelope Leach,Writer and child psychologist Penelope Leach at her desk.
Stock Photo #866-10297, Pandemonium: The Bridge Over Chaos. Joseph Michael Gandy (1771-1843). Pencil and watercolour. 102.8 x 67.3cm. Traditionally identified as an illustration to Paradise Lost.
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Pandemonium: The Bridge Over Chaos. Joseph Michael Gandy (1771-1843). Pencil and watercolour. 102.8 x 67.3cm. Traditionally i...
Pandemonium: The Bridge Over Chaos. Joseph Michael Gandy (1771-1843). Pencil and watercolour. 102.8 x 67.3cm. Traditionally identified as an illustration to Paradise Lost.
Stock Photo #866-10266, Place Victoire a Paris. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. Dated 1784. 38.2 x 54cm.
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Place Victoire a Paris. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. Dated 1784. 38.2 x 54cm.
Stock Photo #866-10233, Mr Elliston. Thomas Charles Wageman (1787-1863). Pencil and watercolour. Dated 1820. 39.3 x 27.3cm. Robert Elliston (1774-1831), was regarded as the leading dramatic figure of the early 1880s.
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Mr Elliston. Thomas Charles Wageman (1787-1863). Pencil and watercolour. Dated 1820. 39.3 x 27.3cm. Robert Elliston (1774-183...
Mr Elliston. Thomas Charles Wageman (1787-1863). Pencil and watercolour. Dated 1820. 39.3 x 27.3cm. Robert Elliston (1774-1831), was regarded as the leading dramatic figure of the early 1880s.
Stock Photo #1801-84203, Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. A detail of the entrance, situated inside the Frieze art fair tent.
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Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. A detail of the entrance, situated inside th...
Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. A detail of the entrance, situated inside the Frieze art fair tent.
Stock Photo #866-10314, 'The Animals You Know Are Not As They Are Now'. Arthur Rackham (1867-1939). Pen and black ink and watercolour. 27.6 x 18.9cm.
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'The Animals You Know Are Not As They Are Now'. Arthur Rackham (1867-1939). Pen and black ink and watercolour. 27.6 x 18.9cm.
Stock Photo #1746-2114, Mr Utterson, reading Hyde's letter to Jekyll, realising that the handwriting of the two is the same., From The Strange Case of Dr Jekyll and Mr Hyde, The novella written by Robert Louis Stevenson, first published 1886, Illustration by Edmund J. Sullivan (1866-1933/English)
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Mr Utterson, reading Hyde's letter to Jekyll, realising that the handwriting of the two is the same., From The Strange Case o...
Mr Utterson, reading Hyde's letter to Jekyll, realising that the handwriting of the two is the same., From The Strange Case of Dr Jekyll and Mr Hyde, The novella written by Robert Louis Stevenson, first published 1886, Illustration by Edmund J. Sullivan (1866-1933/English)
Stock Photo #866-10321, Interior Views of the Conservative Club: Entrance Hall and Grand Staircase Frederick Sang (fl.1840-1884). Pencil and watercolour. Dated 1845. The Conservative Club premises opened on 19 Feburary 1845, designed by architects George Basevi and Sydney Smirke with decoration by Sang.
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Interior Views of the Conservative Club: Entrance Hall and Grand Staircase Frederick Sang (fl.1840-1884). Pencil and watercol...
Interior Views of the Conservative Club: Entrance Hall and Grand Staircase Frederick Sang (fl.1840-1884). Pencil and watercolour. Dated 1845. The Conservative Club premises opened on 19 Feburary 1845, designed by architects George Basevi and Sydney Smirke with decoration by Sang.
Stock Photo #866-10173, Brown Owl (Strix Ulula). Reverend Christopher Atkinson (1754-1795). Pencil and watercolour heightened with gum arabic. 28.3 x 22.5cm.
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Brown Owl (Strix Ulula). Reverend Christopher Atkinson (1754-1795). Pencil and watercolour heightened with gum arabic. 28.3 x...
Brown Owl (Strix Ulula). Reverend Christopher Atkinson (1754-1795). Pencil and watercolour heightened with gum arabic. 28.3 x 22.5cm.
Stock Photo #866-13308, The Outdoor Lesson. Henry Sylvester Stannard (1870-1951). Pencil and watercolour. 25.4 x 35.6cm.
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The Outdoor Lesson. Henry Sylvester Stannard (1870-1951). Pencil and watercolour. 25.4 x 35.6cm.
Stock Photo #866-10331, A Mute Appeal. Charles Edward Wilson (1854-1941). Pencil and watercolour. 25.7 x 17.1cm.
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A Mute Appeal. Charles Edward Wilson (1854-1941). Pencil and watercolour. 25.7 x 17.1cm.
Stock Photo #866-7678, Gleaners: Coast Of Somerset. John William North, A.R.A. (1842-1924). Dated 1890, Watercolour And Bodycolour, 26 X 37in.
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Gleaners: Coast Of Somerset. John William North, A.R.A. (1842-1924). Dated 1890, Watercolour And Bodycolour, 26 X 37in.
Stock Photo #866-10234, At the Sick Man's Door. Frederick Walker (1841-1875). Watercolour heightened with bodycolour. 18.9 x 13cm.
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At the Sick Man's Door. Frederick Walker (1841-1875). Watercolour heightened with bodycolour. 18.9 x 13cm.
Stock Photo #866-17807, The Triumphal Arch crossing the Ravine leading to Petra. David Roberts (1796-1864). Pencil and watercolour. Executed 6-12 March 1839. 32.7 x 21.9cm.
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The Triumphal Arch crossing the Ravine leading to Petra. David Roberts (1796-1864). Pencil and watercolour. Executed 6-12 Mar...
The Triumphal Arch crossing the Ravine leading to Petra. David Roberts (1796-1864). Pencil and watercolour. Executed 6-12 March 1839. 32.7 x 21.9cm.
Stock Photo #866-10269, Studies of Fish including Shark, Pikefish, Carp and Gillhead. Sydenham Teast Edwards (1768-1819). Pencil, pen and ink and watercolour heightened with white and gum arabic. 25.9 x 20cm
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Studies of Fish including Shark, Pikefish, Carp and Gillhead. Sydenham Teast Edwards (1768-1819). Pencil, pen and ink and wat...
Studies of Fish including Shark, Pikefish, Carp and Gillhead. Sydenham Teast Edwards (1768-1819). Pencil, pen and ink and watercolour heightened with white and gum arabic. 25.9 x 20cm
Stock Photo #866-10226, The Bishop and Death. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 14 x 20.6cm.
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The Bishop and Death. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 14 x 20.6cm.
Stock Photo #866-17768, Twenty-four moths, in three columns, mostly belonging to the family Noctuidae. Marian Ellen Rowan (1848-1922). Watercolour with bodycolour on grey paper. 55.9 x 38.1cm.
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Twenty-four moths, in three columns, mostly belonging to the family Noctuidae. Marian Ellen Rowan (1848-1922). Watercolour wi...
Twenty-four moths, in three columns, mostly belonging to the family Noctuidae. Marian Ellen Rowan (1848-1922). Watercolour with bodycolour on grey paper. 55.9 x 38.1cm.
Stock Photo #866-10311, Figures Collecting Faggots by a Road. Myles Birket Foster (1825-1899). Pencil, watercolour and bodycolour. 19.6 x 29.2cm.
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Figures Collecting Faggots by a Road. Myles Birket Foster (1825-1899). Pencil, watercolour and bodycolour. 19.6 x 29.2cm.
Stock Photo #866-7667, A terrace overlooking Florence from the Via di Servi. Thomas Hartley Cromek (1809-1873). Watercolour, 12 x 20in.
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A terrace overlooking Florence from the Via di Servi. Thomas Hartley Cromek (1809-1873). Watercolour, 12 x 20in.
Stock Photo #1830-72972, International Currencies
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International Currencies
Stock Photo #866-17785, The Gate of Metwaley, Cairo. David Roberts (1796-1864). Pencil and watercolour. Executed in 1838. 34.2 x 24.7cm.
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The Gate of Metwaley, Cairo. David Roberts (1796-1864). Pencil and watercolour. Executed in 1838. 34.2 x 24.7cm.
Stock Photo #866-10181, The Church of the Holy Sepulchre, Jerusalem. Nathaniel Everett Green (active from ca. 1833, died 1899). Pencil and watercolour heightened with white. Signed and dated 1884. 55.8 x 78.7cm.
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The Church of the Holy Sepulchre, Jerusalem. Nathaniel Everett Green (active from ca. 1833, died 1899). Pencil and watercolou...
The Church of the Holy Sepulchre, Jerusalem. Nathaniel Everett Green (active from ca. 1833, died 1899). Pencil and watercolour heightened with white. Signed and dated 1884. 55.8 x 78.7cm.
Stock Photo #866-10276, Tithe in Kind. Edward Robert Hughes (1851-1914). Watercolour. 47.3 x 27cm.
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Tithe in Kind. Edward Robert Hughes (1851-1914). Watercolour. 47.3 x 27cm.
Stock Photo #866-10177, Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress, Her Crown Beside Her. John Downman (1750-1824). Pencil, watercolour and stump with touches of white heightening. Signed and dated 1787. 21.6 x 17.5cm.
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Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress, Her Crown Beside Her. John Downman (1750-1824)...
Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress, Her Crown Beside Her. John Downman (1750-1824). Pencil, watercolour and stump with touches of white heightening. Signed and dated 1787. 21.6 x 17.5cm.
Stock Photo #866-8393, A Figure beside a Building, Ghent, with Barges on the River Leye beyond. Thomas Shotter Boys (1803-1908). Pencil and watercolour, 31.5 x 22.6cm.
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A Figure beside a Building, Ghent, with Barges on the River Leye beyond. Thomas Shotter Boys (1803-1908). Pencil and watercol...
A Figure beside a Building, Ghent, with Barges on the River Leye beyond. Thomas Shotter Boys (1803-1908). Pencil and watercolour, 31.5 x 22.6cm.
Stock Photo #866-13318, An Elegant Young Man, a Design for 'Adriana Le Couvreur' Metropolitan Opera 1962. Cecil Beaton (1904-1980). Watercolour, bodycolour, brush and black ink, heightened with white. 50.8 x 31.8cm.
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An Elegant Young Man, a Design for 'Adriana Le Couvreur' Metropolitan Opera 1962. Cecil Beaton (1904-1980). Watercolour, body...
An Elegant Young Man, a Design for 'Adriana Le Couvreur' Metropolitan Opera 1962. Cecil Beaton (1904-1980). Watercolour, bodycolour, brush and black ink, heightened with white. 50.8 x 31.8cm.
Stock Photo #866-10405, The Doge's Palace, Venice, from the Steps of San Giorgio Maggiore. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white on card. 22.5 x 31.8cm.
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The Doge's Palace, Venice, from the Steps of San Giorgio Maggiore. Myles Birket Foster (1825-1899). Pencil and watercolour he...
The Doge's Palace, Venice, from the Steps of San Giorgio Maggiore. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white on card. 22.5 x 31.8cm.
Stock Photo #866-13280, A Perspective Design for Derry and Toms, Kensington High Street (fl. 1930s). William Walcot (1874-1943), to the Design of Bernard George (fl. 1930s). Pencil and watercolour heightened with white. 77.5 x 94cm.
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A Perspective Design for Derry and Toms, Kensington High Street (fl. 1930s). William Walcot (1874-1943), to the Design of Ber...
A Perspective Design for Derry and Toms, Kensington High Street (fl. 1930s). William Walcot (1874-1943), to the Design of Bernard George (fl. 1930s). Pencil and watercolour heightened with white. 77.5 x 94cm.
Stock Photo #866-17843, Martha Hess as Silence (recto). Henry Fuseli (Johann Heinrich Fussli) (1741-1825). Pencil and white chalk on buff paper. 54.5 x 33cm.
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Martha Hess as Silence (recto). Henry Fuseli (Johann Heinrich Fussli) (1741-1825). Pencil and white chalk on buff paper. 54.5...
Martha Hess as Silence (recto). Henry Fuseli (Johann Heinrich Fussli) (1741-1825). Pencil and white chalk on buff paper. 54.5 x 33cm.
Stock Photo #866-17853, Illustrations to The Morte d'Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere; and Beaumains Defeats the Green Knight. Arthur Rackham (1867-1939). Pencil, pen and black ink and watercolour. Signed and dated 1902. 24.4 x 17.7cm.
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Illustrations to The Morte d'Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays t...
Illustrations to The Morte d'Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere; and Beaumains Defeats the Green Knight. Arthur Rackham (1867-1939). Pencil, pen and black ink and watercolour. Signed and dated 1902. 24.4 x 17.7cm.
Stock Photo #866-10384, 'The Sun May Shine and We Be Cold'. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. Signed and dated 1848. 13.9 x 15.8cm.
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'The Sun May Shine and We Be Cold'. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. Signed and dated 1848. 13.9 x 15.8...
'The Sun May Shine and We Be Cold'. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. Signed and dated 1848. 13.9 x 15.8cm.
Stock Photo #866-10235, The Fonte Branda, Siena. Albert Goodwin (1845-1932). Pen and brown ink and watercolour. Signed and dated 1905. 28.5 x 44.4cm.
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The Fonte Branda, Siena. Albert Goodwin (1845-1932). Pen and brown ink and watercolour. Signed and dated 1905. 28.5 x 44.4cm.
Stock Photo #866-11197, Portrait of Loelia, Duchess of Westminster, later Lady Lindsay, small full length, in Evening Dress. Glyn Warren Philpot (1884-1937). Oil on canvas. 44 x 26 1/4in. A study for a larger version. The sitter, b. 1902, was the daughter of Sir Frederick Ponsonby and married Hugh Bendor, 2nd Duke of Westminster in 1930, divorcing in 1935. She was characterised b
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Portrait of Loelia, Duchess of Westminster, later Lady Lindsay, small full length, in Evening Dress. Glyn Warren Philpot (188...
Portrait of Loelia, Duchess of Westminster, later Lady Lindsay, small full length, in Evening Dress. Glyn Warren Philpot (1884-1937). Oil on canvas. 44 x 26 1/4in. A study for a larger version. The sitter, b. 1902, was the daughter of Sir Frederick Ponsonby and married Hugh Bendor, 2nd Duke of Westminster in 1930, divorcing in 1935. She was characterised b
Stock Photo #866-13304, William Henderson Reading in his Sitting Room, Vention, North Devon. John Strickland Goodall (1908-1996). Oil on board. Dated 1986. 356 x 508mm
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William Henderson Reading in his Sitting Room, Vention, North Devon. John Strickland Goodall (1908-1996). Oil on board. Dated...
William Henderson Reading in his Sitting Room, Vention, North Devon. John Strickland Goodall (1908-1996). Oil on board. Dated 1986. 356 x 508mm
Stock Photo #866-10286, Portrait of Miss Sophia Vansittart, Three-Quarter Length, Wearing a White Dress with a White Ribbon About Her Powdered Hair and a Black Shawl Draped About Her Shoulders, Seated Beside a Classical Column. John Russell (1745-1806). Pastel. 90.1 x 69.2cm.
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Portrait of Miss Sophia Vansittart, Three-Quarter Length, Wearing a White Dress with a White Ribbon About Her Powdered Hair a...
Portrait of Miss Sophia Vansittart, Three-Quarter Length, Wearing a White Dress with a White Ribbon About Her Powdered Hair and a Black Shawl Draped About Her Shoulders, Seated Beside a Classical Column. John Russell (1745-1806). Pastel. 90.1 x 69.2cm.
Stock Photo #4282-28436, England, London, Bermondsey. A quotation from Charles Dickens 'Pickwick Papers' on the side of a building in Bermondsey.
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England, London, Bermondsey. A quotation from Charles Dickens 'Pickwick Papers' on the side of a building in Bermondsey.
Stock Photo #866-7676, Goldfinches On Thistles. Archibald Thorburn (1860-1935). Pencil And Watercolour Heightened With White, 22 X 15 5/8in.
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Goldfinches On Thistles. Archibald Thorburn (1860-1935). Pencil And Watercolour Heightened With White, 22 X 15 5/8in.
Stock Photo #866-10257, The Hold-Up. Samuel Howitt (1756-1822). Pen and ink and watercolour. Dated 1794. 11 3/8 x 15 3/8in
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The Hold-Up. Samuel Howitt (1756-1822). Pen and ink and watercolour. Dated 1794. 11 3/8 x 15 3/8in
Stock Photo #1661-442, Still Life with Roses in a Vase Samuel John Peploe (1871-1935 British)
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Still Life with Roses in a Vase Samuel John Peploe (1871-1935 British)
Stock Photo #866-17762, Four Birdwing butterflies (family Papilionidae) in two columns, representing both sexes of the Common Birdwing (Troides (Ornithoptera) Priamus). Marian Ellis Rowan (1848-1922). Bodycolour on grey paper. 26.6 x 38.1cm.
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Four Birdwing butterflies (family Papilionidae) in two columns, representing both sexes of the Common Birdwing (Troides (Orni...
Four Birdwing butterflies (family Papilionidae) in two columns, representing both sexes of the Common Birdwing (Troides (Ornithoptera) Priamus). Marian Ellis Rowan (1848-1922). Bodycolour on grey paper. 26.6 x 38.1cm.
Stock Photo #866-10220, A Sportsman with a Boy, a Pony and a Dog. William Henry Hunt (1790-1864). Pencil and watercolour. Dated 1827. 45 x 55.9cm.
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A Sportsman with a Boy, a Pony and a Dog. William Henry Hunt (1790-1864). Pencil and watercolour. Dated 1827. 45 x 55.9cm.
Stock Photo #866-7844, Kingfishers on a Branch. Philip Rickman (1891-1982). Pencil, watercolour and bodycolour, 22 3/4 x 16 3/4.
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Kingfishers on a Branch. Philip Rickman (1891-1982). Pencil, watercolour and bodycolour, 22 3/4 x 16 3/4.
Stock Photo #866-10294, London from Greenwich Hill. John Robert Cozens (1752-1797). Pencil and watercolour. 45.7 x 62.1cm.
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London from Greenwich Hill. John Robert Cozens (1752-1797). Pencil and watercolour. 45.7 x 62.1cm.
Stock Photo #866-10406, A Snow Leopard Stalking Ovis Poli. Joseph Wolf (1820-1899). Pencil and watercolour heightened with white. 60.6 x 95.6cm.
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A Snow Leopard Stalking Ovis Poli. Joseph Wolf (1820-1899). Pencil and watercolour heightened with white. 60.6 x 95.6cm.
Stock Photo #866-17744, A Full-colour Cartoon of Tapestry, Silk or Wallpaper. English School, circa 1830-40. Pencil and watercolour. 71 x 53.5cm.
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A Full-colour Cartoon of Tapestry, Silk or Wallpaper. English School, circa 1830-40. Pencil and watercolour. 71 x 53.5cm.
Stock Photo #866-10248, Limerick: Charlotte Quay and George's Quay, Matthew Bridge and the Customs House, with the Tower of St. Mary's Cathedral. William Turner de Lond (1767-1826). Bodycolour. 43.1 x 56.1cm.
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Limerick: Charlotte Quay and George's Quay, Matthew Bridge and the Customs House, with the Tower of St. Mary's Cathedral. Wil...
Limerick: Charlotte Quay and George's Quay, Matthew Bridge and the Customs House, with the Tower of St. Mary's Cathedral. William Turner de Lond (1767-1826). Bodycolour. 43.1 x 56.1cm.
Stock Photo #866-17931, Ladies and Maids of Honour in Greenwich Park: A Group Portrait of Juliana, Duchess of Leeds, Lady Charlotte Hamilton, Lady Isabella Tufton and Henrietta, Countess of Pomfret, all Wearing Riding Habits, with Groom and Horses in front of the Observatory. Charles Phillips (1708-1747). Oil on canvas. Dated May 16 1730. 91.4 x 114.3cm
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Ladies and Maids of Honour in Greenwich Park: A Group Portrait of Juliana, Duchess of Leeds, Lady Charlotte Hamilton, Lady Is...
Ladies and Maids of Honour in Greenwich Park: A Group Portrait of Juliana, Duchess of Leeds, Lady Charlotte Hamilton, Lady Isabella Tufton and Henrietta, Countess of Pomfret, all Wearing Riding Habits, with Groom and Horses in front of the Observatory. Charles Phillips (1708-1747). Oil on canvas. Dated May 16 1730. 91.4 x 114.3cm
Stock Photo #4266-8412, Life of Saint Guthlac by Anonymous artist, Watercolour and ink on paper, 12th century, British Library
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Life of Saint Guthlac by Anonymous artist, Watercolour and ink on paper, 12th century, British Library
Stock Photo #866-17829, Caernarvon Castle. Paul Sandby (1731-1809). Pencil and bodycolour. Circa 1790s. 49.5 x 79.2cm.
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Caernarvon Castle. Paul Sandby (1731-1809). Pencil and bodycolour. Circa 1790s. 49.5 x 79.2cm.
Stock Photo #866-10169, Dresden from the River Elbe. William Callow (1812-1908). Pencil and watercolour with touches of white heightening. Dated 1853. 22.8 x 33cm.
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Dresden from the River Elbe. William Callow (1812-1908). Pencil and watercolour with touches of white heightening. Dated 1853...
Dresden from the River Elbe. William Callow (1812-1908). Pencil and watercolour with touches of white heightening. Dated 1853. 22.8 x 33cm.
Stock Photo #866-13295, A Hobby. Edwin Penny (b. 1930). Watercolour and bodycolour. 35.6 x 50.2cm.
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A Hobby. Edwin Penny (b. 1930). Watercolour and bodycolour. 35.6 x 50.2cm.
Stock Photo #866-7656, Satyr Tragopan (Ceriornis Satyra) Henry Constantine Richter (1821-1902). Pencil and watercolour heightened with bodycolour and gum arabic, 365 x 550mm.
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Satyr Tragopan (Ceriornis Satyra) Henry Constantine Richter (1821-1902). Pencil and watercolour heightened with bodycolour an...
Satyr Tragopan (Ceriornis Satyra) Henry Constantine Richter (1821-1902). Pencil and watercolour heightened with bodycolour and gum arabic, 365 x 550mm.
Stock Photo #866-10247, Shipping Off Shakespeare's Cliff. Samuel Atkins (1787-1808). Pencil and watercolour heightened with white. Dated 1806. 34.2 x 48.2cm.
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Shipping Off Shakespeare's Cliff. Samuel Atkins (1787-1808). Pencil and watercolour heightened with white. Dated 1806. 34.2 x...
Shipping Off Shakespeare's Cliff. Samuel Atkins (1787-1808). Pencil and watercolour heightened with white. Dated 1806. 34.2 x 48.2cm.
Stock Photo #866-10390, Children Reading Beside a Country Lane. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white. 13.6 x 20.9cm.
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Children Reading Beside a Country Lane. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white. 13.6 x...
Children Reading Beside a Country Lane. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white. 13.6 x 20.9cm.
Stock Photo #866-10300, Thirlwall Castle, Northumberland. Henry George Hine (1811-1895). Pencil and watercolour heightened with white. 72.4 x 124.5cm.
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Thirlwall Castle, Northumberland. Henry George Hine (1811-1895). Pencil and watercolour heightened with white. 72.4 x 124.5cm...
Thirlwall Castle, Northumberland. Henry George Hine (1811-1895). Pencil and watercolour heightened with white. 72.4 x 124.5cm.
Stock Photo #866-7365, Figures crossing a back street in London, early morning, winter. Henry George Hine (1811-1895). Watercolour heightened with white, 1887, 55.2 x 44.8cm.
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Figures crossing a back street in London, early morning, winter. Henry George Hine (1811-1895). Watercolour heightened with w...
Figures crossing a back street in London, early morning, winter. Henry George Hine (1811-1895). Watercolour heightened with white, 1887, 55.2 x 44.8cm.
Stock Photo #866-10358, Study for Desdemona's Death Song: Othello, Act IV, Sc. III. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. 43.5 x 34.9cm.
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Study for Desdemona's Death Song: Othello, Act IV, Sc. III. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. 43.5 x 34....
Study for Desdemona's Death Song: Othello, Act IV, Sc. III. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. 43.5 x 34.9cm.
Stock Photo #866-10133, A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond Water-Walk. Thomas Gainsborough (1727-1788). Black chalk and stump, heightened with white (partly in oil paint) on buff paper. 50.5 x 32cm.
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A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond W...
A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond Water-Walk. Thomas Gainsborough (1727-1788). Black chalk and stump, heightened with white (partly in oil paint) on buff paper. 50.5 x 32cm.
Stock Photo #475-1217, Temperantia 1872 Edward Burne-Jones (1833-1898 British) Watercolor on paper Christie's Images
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Temperantia 1872 Edward Burne-Jones (1833-1898 British) Watercolor on paper Christie's Images
Stock Photo #866-13313, An Elegant Company for the Ascot Scene. Cecil Beaton (1904-1980). Watercolour, pen, ink and grey wash. 35.6 x 50.8cm.
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An Elegant Company for the Ascot Scene. Cecil Beaton (1904-1980). Watercolour, pen, ink and grey wash. 35.6 x 50.8cm.
Stock Photo #866-10132, Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond. John Downman (1750-1824). Black and white chalk, stump and watercolour, paper laid on linen. Dated 1784. 52.7 x 33.7cm.
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Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond. John Downman (1750-1824). Black and white chalk, stum...
Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond. John Downman (1750-1824). Black and white chalk, stump and watercolour, paper laid on linen. Dated 1784. 52.7 x 33.7cm.
Stock Photo #4409-131159, Dante Gabriel Rossetti / 'Dante's Vision of Rachel and Leah', 1855, Watercolour on paper, 35 cm x 31 cm. Artwork also known as: Visión de Dante de Raquel y Leah. Museum: The Tate Gallery.
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Dante Gabriel Rossetti / 'Dante's Vision of Rachel and Leah', 1855, Watercolour on paper, 35 cm x 31 cm. Artwork also known a...
Dante Gabriel Rossetti / 'Dante's Vision of Rachel and Leah', 1855, Watercolour on paper, 35 cm x 31 cm. Artwork also known as: Visión de Dante de Raquel y Leah. Museum: The Tate Gallery.
Stock Photo #866-17763, Thirty-three butterflies, in four columns, belonging to the Papilionidae and Danainae families. Marian Ellis Rowan (1848-1922). Watercolour with bodycolour on grey paper. 56.2 x 38.1cm.
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Thirty-three butterflies, in four columns, belonging to the Papilionidae and Danainae families. Marian Ellis Rowan (1848-1922...
Thirty-three butterflies, in four columns, belonging to the Papilionidae and Danainae families. Marian Ellis Rowan (1848-1922). Watercolour with bodycolour on grey paper. 56.2 x 38.1cm.
Stock Photo #866-10397, Temple Bar. Louise Rayner (1832-1924). Pencil and watercolour heightened with white. 21.2 x 16.5cm.
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Temple Bar. Louise Rayner (1832-1924). Pencil and watercolour heightened with white. 21.2 x 16.5cm.
Stock Photo #866-10239, The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 17.7 x 29.2cm. On the centre right, the artist, to his left Henry Wigstead.
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The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage. Thomas Rowlandson (1756-1827). Pencil, ...
The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 17.7 x 29.2cm. On the centre right, the artist, to his left Henry Wigstead.
Stock Photo #866-17835, The Expulsion from the Garden of Eden. John Roddam Spencer Stanhope (1829-1908). Pencil, watercolour and bodycolour. Painted after 1877. 32.5 x 39.4cm.
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The Expulsion from the Garden of Eden. John Roddam Spencer Stanhope (1829-1908). Pencil, watercolour and bodycolour. Painted ...
The Expulsion from the Garden of Eden. John Roddam Spencer Stanhope (1829-1908). Pencil, watercolour and bodycolour. Painted after 1877. 32.5 x 39.4cm.
Stock Photo #1773R-212090, Young boy with pencil and paper on train
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Young boy with pencil and paper on train
Stock Photo #866-17779, Oriel College, Oxford, with St. Mary's Church in the Distance. Thomas Malton II (1748-1804). Pencil, pen and grey ink and watercolour. 30.5 x 45.7cm.
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Oriel College, Oxford, with St. Mary's Church in the Distance. Thomas Malton II (1748-1804). Pencil, pen and grey ink and wat...
Oriel College, Oxford, with St. Mary's Church in the Distance. Thomas Malton II (1748-1804). Pencil, pen and grey ink and watercolour. 30.5 x 45.7cm.
Stock Photo #1801-84209, Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Temple view from the rear,situated inside the Frieze art fair tent.
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Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Temple view from the rear,situated inside th...
Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Temple view from the rear,situated inside the Frieze art fair tent.
Stock Photo #866-17842, The Hotel de Ville, Brussels. William Callow (1812-1908). Pencil and watercolour heightened with white. Signed and dated 1856. 64.1 x 90.1cm.
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The Hotel de Ville, Brussels. William Callow (1812-1908). Pencil and watercolour heightened with white. Signed and dated 1856...
The Hotel de Ville, Brussels. William Callow (1812-1908). Pencil and watercolour heightened with white. Signed and dated 1856. 64.1 x 90.1cm.
Stock Photo #866-10378, Florence from San Miniato. Arthur Severn (1842-1931). Watercolour. Signed and dated 1891. 99.1 x 139.7cm.
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Florence from San Miniato. Arthur Severn (1842-1931). Watercolour. Signed and dated 1891. 99.1 x 139.7cm.
Stock Photo #866-10168, A Peasant Family Going to Market. Thomas Gainsborough (1727-1788). Black and white chalk, stump, grey and brown wash extensively heightened with white on brown paper. 41 x 53.3cm.
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A Peasant Family Going to Market. Thomas Gainsborough (1727-1788). Black and white chalk, stump, grey and brown wash extensiv...
A Peasant Family Going to Market. Thomas Gainsborough (1727-1788). Black and white chalk, stump, grey and brown wash extensively heightened with white on brown paper. 41 x 53.3cm.
Stock Photo #866-10380, The Recalcitrant Donkey. Julius Caesar Ibbetson (1759-1817). Pen and grey ink and watercolour. Signed and dated 1798 (?). 21.5 x 27.9cm.
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The Recalcitrant Donkey. Julius Caesar Ibbetson (1759-1817). Pen and grey ink and watercolour. Signed and dated 1798 (?). 21....
The Recalcitrant Donkey. Julius Caesar Ibbetson (1759-1817). Pen and grey ink and watercolour. Signed and dated 1798 (?). 21.5 x 27.9cm.
Stock Photo #866-10327, Shipping Off Scarborough. Charles Bentley (1805/06-1854). Watercolour. Signed and dated 1848. 48.8 x 74.9cm.
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Shipping Off Scarborough. Charles Bentley (1805/06-1854). Watercolour. Signed and dated 1848. 48.8 x 74.9cm.
Stock Photo #866-17873, View of The Royal Hospital, Greenwich, from the Thames. Samuel Scott (c.1702-72). Oil on canvas. 57.8 x 110.5cm.
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View of The Royal Hospital, Greenwich, from the Thames. Samuel Scott (c.1702-72). Oil on canvas. 57.8 x 110.5cm.
Stock Photo #866-13289, A Cock and Hen Pheasant in the Snow. Rodger McPhail (b.1953). Pencil and watercolour with touches of white heightening. 52.7 x 52.1cm.
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A Cock and Hen Pheasant in the Snow. Rodger McPhail (b.1953). Pencil and watercolour with touches of white heightening. 52.7 ...
A Cock and Hen Pheasant in the Snow. Rodger McPhail (b.1953). Pencil and watercolour with touches of white heightening. 52.7 x 52.1cm.
Stock Photo #866-10336, Design for a Chimneypiece. John Linnell (1729-1796). Pen and grey ink, grey, blue and ochre wash. Signed and dated July 22 1754. 17.1 x 11.1cm.
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Design for a Chimneypiece. John Linnell (1729-1796). Pen and grey ink, grey, blue and ochre wash. Signed and dated July 22 17...
Design for a Chimneypiece. John Linnell (1729-1796). Pen and grey ink, grey, blue and ochre wash. Signed and dated July 22 1754. 17.1 x 11.1cm.
Stock Photo #866-7849, A Common Sandpiper. Archibald Thorburn (1860-1935). Watercolour heightened with white, vignette, 6 7/8 x 9 3/4in.
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A Common Sandpiper. Archibald Thorburn (1860-1935). Watercolour heightened with white, vignette, 6 7/8 x 9 3/4in.
Stock Photo #866-10270, Studies of Butterflies and Insects. Sydenham Teast Edwards (1768-1819). Pencil, pen and ink with touches of white heightening and bodycolour. 24.4 x 20.9cm
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Studies of Butterflies and Insects. Sydenham Teast Edwards (1768-1819). Pencil, pen and ink with touches of white heightening...
Studies of Butterflies and Insects. Sydenham Teast Edwards (1768-1819). Pencil, pen and ink with touches of white heightening and bodycolour. 24.4 x 20.9cm
Stock Photo #1575-9221, Sheets of paper coming off new paper sheeter machine, Island Paper Mills, Delta, British Columbia, Canada
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Sheets of paper coming off new paper sheeter machine, Island Paper Mills, Delta, British Columbia, Canada
Stock Photo #866-13317, Costume Design for an Elegant Guest, Act III. Cecil Beaton (1904-1980). Watercolour, bodycolour, brush and black ink on grey paper. 50.2 x 32.4cm.
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Costume Design for an Elegant Guest, Act III. Cecil Beaton (1904-1980). Watercolour, bodycolour, brush and black ink on grey ...
Costume Design for an Elegant Guest, Act III. Cecil Beaton (1904-1980). Watercolour, bodycolour, brush and black ink on grey paper. 50.2 x 32.4cm.
Stock Photo #866-10313, 'So Nobody Can Quite Explain Exactly Where the Rainbows End'. Arthur Rackham (1867-1939). Pen and black ink and watercolour. Signed and dated 1914. 29.1 x 22.5cm.
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'So Nobody Can Quite Explain Exactly Where the Rainbows End'. Arthur Rackham (1867-1939). Pen and black ink and watercolour. ...
'So Nobody Can Quite Explain Exactly Where the Rainbows End'. Arthur Rackham (1867-1939). Pen and black ink and watercolour. Signed and dated 1914. 29.1 x 22.5cm.
Stock Photo #866-17834, Grey Partridge in Winter. Rodger McPhail (b.1953). Watercolour. 47 x 58.4cm.
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Grey Partridge in Winter. Rodger McPhail (b.1953). Watercolour. 47 x 58.4cm.
Stock Photo #1797-219, City Men 1991 Lucille Montague (b.1950/British) Pastel
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City Men 1991 Lucille Montague (b.1950/British) Pastel
Stock Photo #866-13302, The First Lesson. Carlton Alfred Smith (1853-1946). Watercolour heightened with white, on card. Signed and dated 1897. 54.6 x 37.7cm.
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The First Lesson. Carlton Alfred Smith (1853-1946). Watercolour heightened with white, on card. Signed and dated 1897. 54.6 x...
The First Lesson. Carlton Alfred Smith (1853-1946). Watercolour heightened with white, on card. Signed and dated 1897. 54.6 x 37.7cm.
Stock Photo #1746-2765, The Order of Release, 1746, John Everett Millais, (1829-1896/British), Oil on canvas, Tate Gallery, London, England
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The Order of Release, 1746, John Everett Millais, (1829-1896/British), Oil on canvas, Tate Gallery, London, England
Stock Photo #866-10215, A Fisherman's Wife - Fifeshire Interior. William Kay Blacklock (1872-1922). Watercolour heightened with white. 22.2 x 29.9cm.
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A Fisherman's Wife - Fifeshire Interior. William Kay Blacklock (1872-1922). Watercolour heightened with white. 22.2 x 29.9cm.
Stock Photo #866-7845, A Buff-Breasted Sandpiper. Archibald Thorburn (1860-1935). Pencil and watercolour heightened with white, vignette, 6 3/4 x 9 5/8in.
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A Buff-Breasted Sandpiper. Archibald Thorburn (1860-1935). Pencil and watercolour heightened with white, vignette, 6 3/4 x 9 ...
A Buff-Breasted Sandpiper. Archibald Thorburn (1860-1935). Pencil and watercolour heightened with white, vignette, 6 3/4 x 9 5/8in.
Stock Photo #866-10307, Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey; Elevation of the South Front, Design A, Elevation of the South Front, Design B, and Elevation of the North Front. James Wyatt (1746-1813). Pen and black ink and watercolour heightened with white. Signed and dated 1796. 50.9 x 72.5cm and 35.5 x 52cm. Numbered 1-5.
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Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey; Elevation of the South Front, Design A, Elevation of th...
Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey; Elevation of the South Front, Design A, Elevation of the South Front, Design B, and Elevation of the North Front. James Wyatt (1746-1813). Pen and black ink and watercolour heightened with white. Signed and dated 1796. 50.9 x 72.5cm and 35.5 x 52cm. Numbered 1-5.
Stock Photo #866-17743, Portrait of Elizabeth Siddal, in Profile to the Right. Dante Gabriel Rossetti (1828-1882). Watercolour. 18.1 x 16.1cm. Painting is of Rossetti's favourite model who later became his wife in 1860.
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Portrait of Elizabeth Siddal, in Profile to the Right. Dante Gabriel Rossetti (1828-1882). Watercolour. 18.1 x 16.1cm. Painti...
Portrait of Elizabeth Siddal, in Profile to the Right. Dante Gabriel Rossetti (1828-1882). Watercolour. 18.1 x 16.1cm. Painting is of Rossetti's favourite model who later became his wife in 1860.
Stock Photo #866-17759, Common Starling. Henry Constantine Richter (1821-1902). Pencil and watercolour. 53.4 x 35.6cm.
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Common Starling. Henry Constantine Richter (1821-1902). Pencil and watercolour. 53.4 x 35.6cm.
Stock Photo #1849-7886, Fifty pound notes in house paper shredder
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Fifty pound notes in house paper shredder
Stock Photo #866-10355, Vauxhall Stairs, from Millbank. Francis Towne (1740-1816). Pen and brown ink and watercolour. Signed and dated 1797. 18.4 x 22.2cm.
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Vauxhall Stairs, from Millbank. Francis Towne (1740-1816). Pen and brown ink and watercolour. Signed and dated 1797. 18.4 x 2...
Vauxhall Stairs, from Millbank. Francis Towne (1740-1816). Pen and brown ink and watercolour. Signed and dated 1797. 18.4 x 22.2cm.
Stock Photo #866-10214, Bubbles for Kitty. Charles Edward Wilson (1854-circa 1941). Pencil and watercolour. Signed and dated 1908. 25.7 x 18.4cm.
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Bubbles for Kitty. Charles Edward Wilson (1854-circa 1941). Pencil and watercolour. Signed and dated 1908. 25.7 x 18.4cm.
Stock Photo #866-10152, The Return of Louis XVI to Paris, 6 October 1789. Attributed to Robert Dighton the Elder (ca. 1752-1814). Pencil, pen and grey ink and watercolour. 67.3 x 98.4cm.
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The Return of Louis XVI to Paris, 6 October 1789. Attributed to Robert Dighton the Elder (ca. 1752-1814). Pencil, pen and gre...
The Return of Louis XVI to Paris, 6 October 1789. Attributed to Robert Dighton the Elder (ca. 1752-1814). Pencil, pen and grey ink and watercolour. 67.3 x 98.4cm.
Stock Photo #866-17790, A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree. Paul Sandby (1725-1809). Bodycolour. 44.4 x 57.8cm.
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A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree. Paul Sandby (1725-1809). Bodycolour. 44.4 x 57.8cm.
Stock Photo #866-10207, A Coach and Figures on an Open Country Road. Julius Caesar Ibbetson (1759-1817). Pencil, pen and grey ink and watercolour. 37.2 x 51.8cm. It has been suggested that this watercolour is of a scene on Edgware Road, London.
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A Coach and Figures on an Open Country Road. Julius Caesar Ibbetson (1759-1817). Pencil, pen and grey ink and watercolour. 37...
A Coach and Figures on an Open Country Road. Julius Caesar Ibbetson (1759-1817). Pencil, pen and grey ink and watercolour. 37.2 x 51.8cm. It has been suggested that this watercolour is of a scene on Edgware Road, London.
Stock Photo #866-10320, Interior Views of the Conservative Club: Entrance Hall and Grand Staircase Frederick Sang (fl.1840-1884). Pencil and watercolour. Dated 1845. The Conservative Club premises opened on 19 Feburary 1845, designed by architects George Basevi and Sydney Smirke with decoration by Sang.
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Interior Views of the Conservative Club: Entrance Hall and Grand Staircase Frederick Sang (fl.1840-1884). Pencil and watercol...
Interior Views of the Conservative Club: Entrance Hall and Grand Staircase Frederick Sang (fl.1840-1884). Pencil and watercolour. Dated 1845. The Conservative Club premises opened on 19 Feburary 1845, designed by architects George Basevi and Sydney Smirke with decoration by Sang.
Stock Photo #866-10208, Oriel College, Oxford, with St. Mary's Church in the Distance. Thomas Malton Jnr. (1748-1804). Pen and ink and watercolour. 32 x 46cm.
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Oriel College, Oxford, with St. Mary's Church in the Distance. Thomas Malton Jnr. (1748-1804). Pen and ink and watercolour. 3...
Oriel College, Oxford, with St. Mary's Church in the Distance. Thomas Malton Jnr. (1748-1804). Pen and ink and watercolour. 32 x 46cm.
Stock Photo #866-7659, Mallard, Gadwell, Ruddy Shelduck, Common Shelduck. Archibald Thorburn (1860-1935). Dated 1914, pencil, watercolour, and bodycolour on grey paper, 457 x 369mm.
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Mallard, Gadwell, Ruddy Shelduck, Common Shelduck. Archibald Thorburn (1860-1935). Dated 1914, pencil, watercolour, and bodyc...
Mallard, Gadwell, Ruddy Shelduck, Common Shelduck. Archibald Thorburn (1860-1935). Dated 1914, pencil, watercolour, and bodycolour on grey paper, 457 x 369mm.
Stock Photo #866-10142, Portrait of Mrs. Fisher, Half Length, in a White Dress Adorned with Blue Ribbons. John Downman (1750-1824). Black chalk, stump and watercolour. Dated 1788. 21.3 x 17.7cm. Dorothea Fisher was the only daughter of J.F. Scrivenor Esq., of Sibton Park, Suffolk. She married in 1787 Dr. John Fisher, who was by then Canon of Windor.
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Portrait of Mrs. Fisher, Half Length, in a White Dress Adorned with Blue Ribbons. John Downman (1750-1824). Black chalk, stum...
Portrait of Mrs. Fisher, Half Length, in a White Dress Adorned with Blue Ribbons. John Downman (1750-1824). Black chalk, stump and watercolour. Dated 1788. 21.3 x 17.7cm. Dorothea Fisher was the only daughter of J.F. Scrivenor Esq., of Sibton Park, Suffolk. She married in 1787 Dr. John Fisher, who was by then Canon of Windor.
Stock Photo #866-10274, The Mill Stream in Spring. Arthur Hopkins (1848-1930). Watercolour heightened with white. 45.7 x 35.6cm.
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The Mill Stream in Spring. Arthur Hopkins (1848-1930). Watercolour heightened with white. 45.7 x 35.6cm.
Stock Photo #4430-2482, fine arts, D™rer, Albrecht, (1471 - 1528), painting, ""Weiherhaus"", (""house by a pond""), circa 1496, watercolour and gouache on paper, 21 cm x 23 cm, British Museum, London,
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fine arts, D™rer, Albrecht, (1471 - 1528), painting, ""Weiherhaus"", (""house by a pond""), circa 1496, watercolour and gouac...
fine arts, D™rer, Albrecht, (1471 - 1528), painting, ""Weiherhaus"", (""house by a pond""), circa 1496, watercolour and gouache on paper, 21 cm x 23 cm, British Museum, London,
Stock Photo #866-10330, Watching the Ducks. Arthur Claude Strachan (1865-1938). Watercolour heightened with white. 29.2 x 46.3cm.
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Watching the Ducks. Arthur Claude Strachan (1865-1938). Watercolour heightened with white. 29.2 x 46.3cm.
Stock Photo #866-17845, Lycurgus Entering Athens; and Theseus's Approach to Athens. Edward Dayes (1763-1804). Pencil, pen and ink. 56.8 x 79.2cm
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Lycurgus Entering Athens; and Theseus's Approach to Athens. Edward Dayes (1763-1804). Pencil, pen and ink. 56.8 x 79.2cm
Stock Photo #866-5528, Untitled (from War Child) 1995 Damien Hirst (b.1965 British) Acrylic on paper
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Untitled (from War Child) 1995 Damien Hirst (b.1965 British) Acrylic on paper
Stock Photo #866-13294, A Short-Eared Owl. Charles Frederick Tunnicliffe (1901-1979). Pencil and watercolour. 39.4 x 57.2cm.
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A Short-Eared Owl. Charles Frederick Tunnicliffe (1901-1979). Pencil and watercolour. 39.4 x 57.2cm.
Stock Photo #866-17775, Study of the Head of a Lady in Profile. John Constable (1776-1837). Coloured chalks. Executed in 1808. 26.7 x 20.8cm.
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Study of the Head of a Lady in Profile. John Constable (1776-1837). Coloured chalks. Executed in 1808. 26.7 x 20.8cm.
Stock Photo #866-10254, Street Musicians. Thomas Rowlandson (1756-1827). Pen and ink and watercolour. Dated 1823. 15.2 x 25.4cm.
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Street Musicians. Thomas Rowlandson (1756-1827). Pen and ink and watercolour. Dated 1823. 15.2 x 25.4cm.
Stock Photo #866-13312, An Imaginary Theatre Set, (1950). Cecil Beaton (1904-1980). Watercolour and bodycolour heightened with white. 41.3 x 52.1cm.
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An Imaginary Theatre Set, (1950). Cecil Beaton (1904-1980). Watercolour and bodycolour heightened with white. 41.3 x 52.1cm.
Stock Photo #866-10252, Santa Maria della Salute and the Grand Canal, Venice. William Callow (1812-1908). Watercolour with touches of white heightening. 56.5 x 85cm.
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Santa Maria della Salute and the Grand Canal, Venice. William Callow (1812-1908). Watercolour with touches of white heighteni...
Santa Maria della Salute and the Grand Canal, Venice. William Callow (1812-1908). Watercolour with touches of white heightening. 56.5 x 85cm.
Stock Photo #866-10221, Ludlow Castle. Joseph Mallord William Turner (1775-1851). Pencil and watercolour heightened with scratching out and gum arabic. 29.4 x 45cm.
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Ludlow Castle. Joseph Mallord William Turner (1775-1851). Pencil and watercolour heightened with scratching out and gum arabi...
Ludlow Castle. Joseph Mallord William Turner (1775-1851). Pencil and watercolour heightened with scratching out and gum arabic. 29.4 x 45cm.
Stock Photo #866-10391, Boaters in a Lock on the Thames. Hector Caffieri (1847-1932). Watercolour heightened with white, laid on board. 57.1 x 74.9cm.
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Boaters in a Lock on the Thames. Hector Caffieri (1847-1932). Watercolour heightened with white, laid on board. 57.1 x 74.9cm...
Boaters in a Lock on the Thames. Hector Caffieri (1847-1932). Watercolour heightened with white, laid on board. 57.1 x 74.9cm.
Stock Photo #866-10398, At Gervaise, Falaise: Market Day. Myles Birket Foster (1825-1899). Pencil and watercolour. 40.9 x 60.9cm.
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At Gervaise, Falaise: Market Day. Myles Birket Foster (1825-1899). Pencil and watercolour. 40.9 x 60.9cm.
Stock Photo #1801-84207, Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Close up detail of the paper moulded on car tyres,situated inside the Frieze art fair tent.
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Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Close up detail of the paper moulded on car ...
Ancient and Modern, London, United Kingdom. Architect Paul Johnson Artist, 2011. Close up detail of the paper moulded on car tyres,situated inside the Frieze art fair tent.

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